As part of the season's theme at Bayer Kulhtar (outside of Cologne, Germany), Escaich was commissioned to write a piece on "Orpheus and the Harp," to be premiered by the harp master Isabelle
Originally for violin and piano, this concertino is now available for viola and piano. Includes three movements: I. Allegro moderato in C Major; II. Andante in F Major and III.
Originally for violin and piano, this concertino is now available for viola and piano. Includes three movements: I. Allegro moderato in G Major; II. Siciliano in E minor and III. Allegro assai in G Major. A
Seitz's Concerto No. 2 in C major, originally for violin, transcribed for viola solo and piano. Includes pull-out solo part and piano score.
One of five new compositions commissioned as part of Escaich's residency at the Festival Aspects des Musiques d'Aujourd'hui in Caen, France, and premiered by students at the conservatory. The violin and
Originally for violin and piano, transcribed and edited for viola and piano. 4 pages.
For advanced solo harp, Lejet has written a showpiece of opposites - extremes in range, tempi, and dynamics. Fulgarances was used as a final exam piece for the Harp Study Certificate at the
For string quartet. First printing. Dedicated to the Quatuor Tana. Duration: ca. 12' 30". Score and parts.
Pidoux, building upon his experience with the Orchestre de l'Opéra de Paris and his years teaching at the Paris Conservatoire, has crafted a fascinating arrangement of Verdi's beloved La
Composed as accompaniment to a dancer of East India classical dance, Lalita-Nartya is built upon modes karnatiques with frequent changes of pace and environment. A truly sweet introductory passage states
For cello & piano. First printing. Commissioned by Musique Nouvelle en Liberte for the 12th International Chamber Music Competition of Lyon, April 2016. Three movements. Duration: ca. 8'. Score and
For violin & viola. First printing. Commissioned by Club Peniche and Quartiers ... view details