Luke.1

I. Morning Fantasy

II. Reeling Chester

Emanations of the Sacred Harp is a two-movement work for tuba and piano.

The first movement, Morning

Written for the 75th Anniversary of the National Association of Negro Musicians, this work was premiered by Dr. Herman Taylor at that celebration. The fantasy opens with a bold call-response passage before

This dramatic Fantasy and Fugue also has a section that includes a lyrical rendition of the melody; this is followed by alternating sections of repose and a lively fugue based on this beloved tune.

As an organist, I am always looking for festive pieces for a special celebration or for an exciting postlude.  

Festive Toccata is an exuberant setting with dueling manuals over a

Go, My Children Hymn Settings for postludes, Organ, Vol. 5 by Barbara Harbach includes the hymns Go, My Children, with My Blessing or God, Who Made the Earth and Heaven; Oh, for a Thousand

Holy Manna Hymn Settings for Organ, Vol. 3 by Barbara Harbach includes the hymns Blessed Be the God of Israel or As Saints of Old; God, Who Stretched the Spangled Heavens or All Who

Land of Rest Hymn Settings for Organ, Vol. 2 by Barbara Harbach includes the hymns Holy, Holy, Holy or Santo, Santo, Santo; As Saints of Old or Blessed Be the God of Israel; As We Gather at

A Morning Trumpet for Oboe and Organ is based on five American melodies:

The Morning Trumpet – B. F. White from The Sacred Harp

Swing Low, Sweet Chariot

Composed in 1845, Clara Schumann's opus 16 contains three preludes and fugues for piano, in G minor, B-flat major, and D minor, respectively. Schumann was a great pianist and interpreter of Romantic piano

Fanny Mendelssohn Hensel (1805-1847) is quickly becoming one of the best-known woman composers of the Romantic era. This is the newly recovered wedding recessional that she wrote for her own wedding in

This seven-part Suite on Luther Chorales for Solo Organ follows the centuries-old practice of invigorating traditional melodies with contemporary harmonizations, rhythms, and orchestral colors. The

A tender, beautiful, and moving spiritual focusing on the details of the crucifixion, the separate stanzas add only a single line each to the song. The arrangement features some blues and jazz chords to