Numbers 24

Sensitively composed, this setting of the beloved passage from Numbers 6:24–26 is a reverent closing blessing for sacred concerts and church services. Chorale- and motet-style writing creates textural

"Unto thee, O Lord, do I lift up my soul." The hymn for the first Sunday of Advent, Psalm 24 (25) soars in this setting for double choir. Sustained vocal lines, chain suspensions, and antiphonal writing

Based on Gregorian chant, this ninth-century antiphon is given new life as an urgent plea for peace. A sense of powerlessness and desperation is reflected in the use of free and mixed meter, while

Dum iuventus floruit (In the bloom of youth)

Self-knowledge takes effect: “In my youth, I lived out my passions. I hope I will be smarter and more sensible in my old age

Prompting a similar reaction to what one can often experience in settings of O magnum mysterium, this arrangement of the famous French Christmas carol celebrates the mystery of the birth of the

Alternately accompanied by the upper and lower voices, the solo tenor tells the story of the well-known English Christmas carol. In a combined effort, the refrain resounds, and after a lively modulation

Opening with a low bass solo and unfolding into a radiant mixed-choir arrangement, this take on the popular spiritual incorporates elements of gospel, jazz, and pop music. An incredibly fun a cappella

Using text from a 15th-century English poem, this original work depicts Jesus' humble birth by the Virgin Mary. With changing voice leading and a variety of voice combinations including optional soli, this

Voices ring out in this festive arrangement of the well-known Christmas carol, incorporating the harmonious world of jazz. It becomes a bit more reflective, then this delightful piece culminates in a

Influenced by the choral works of Mendelssohn, Robert Seymour Bridges' sacred poem is sensitively set for double choir through the use of classical voice leading and harmonic structure. Appropriate for both

Manus ferens munera translates to "If a hand comes bearing gifts". Here, the social reality is mercilessly exposed. It’s all about money and status, both of which determine personal happiness

Nil gratius (Nothing is more pleasant)

Yes, it is wonderful to enjoy happiness! But unfortunately, there are narrow limits to this feeling. Quite suddenly it can change and then it’s back

Commissioned by the University of Birmingham Women's Choir, this lively setting of Psalm 100 opens and closes with a fanfare! Exciting syncopated rhythms build toward a lyrical middle section before

With traditional Latin text by St. Thomas Aquinas, this is a beautiful choice for both concert and liturgical settings. Its serene homophonic texture features antiphonal singing, making it accessible to

Composed for the occasion of the St. Mary-at-Hill Carol Composition Competition held in London in 2017, this moving carol tells of the babe in the manger on the magical night in Bethlehem and proclaims the

This a cappella Advent hymn won first prize at the Cincinnati Camerata Composition Contest in 2015. The text of this hymn, also known as The Song of the Nuns of Chester,  goes back to the year

Eleven Christmas carols of various origins are unconventionally arranged for treble choir. From Gregorian chant to folk songs from Sweden, classical homophonic settings to jazzy tunes in 5/4 meter,

The traditional Austrian carol sparkles within a modern construct. Shimmering, close harmonies and an optional soprano solo add to the dreamlike quality of this comforting Christmas lullaby.

A subtle arrangement of the well-known Christmas carol, this lullaby radiates calm and transports singers and listeners to the mysterious world of dreams. Sing the traditional German lyrics or the English

Distressed, Jesus addresses his disciples in the Garden of Gethsemane. In this sacred composition, the emotion and drama of these words are transformed into music. Individual voices begin this choir piece

This is a strophic setting of the antiphon from the Holy Thursday liturgy. The composition commences with a solo voice before all four voices merge for the refrain (Ubi caritas et amor) and ultimately the

Originally from County Wexford, this Irish Christmas carol proclaims the joyful message of Jesus' birth. Accompanied by the choir, several soloists have a chance to tell the story: the tenor begins, three