1 Corinthians 1

Here's an excellent contrast piece for your sextet! This head chart with solo background figures is a straight-up rock chart with an altered blues structure. The instrumentation is alto, tenor, and trombone

Yes, this is for real! Queen's magnum opus, in a jazz language, orchestrated for big band, with jazz solos for trombone (also cued in trumpet 5/flugelhorn) and alto or bari sax thrown in for good measure.

This joyous jazz waltz at about 190 bpm is one of the very few big band Chanukah arrangements. Almost everyone gets a short written solo, and tenor sax and trombone soloists will get to stretch out with

Warning: this tune is extremely catchy and may not leave you alone! Clambake is built upon a classic Bo Diddley groove, and written in B-flat for accessible improvisation. It's scored for three

Get your ‘spookies’ on with this terrific (and terrifying) Rick Hirsch composition for younger bands. “Dark Forest” is eerie and groovy all at once, and features optional improvised

First Nation portrays the expansive American landscape in a time before European settlement. The highlights included a through-composed structure set in a distinctive minor mood. It features a

Better big bands will have a great time with this chart that features a catchy, upbeat swing groove with a hip-hop vibe. There are idiomatic melodic and rhythmic themes in all the horn sections which keep

Hit It! is a 16th note funk chart with a Tower of Power flavor, set over a modal sounding A minor blues structure. An accessible solo vehicle with ad lib solo parts included for all, it's a great

I'm Free is one of the many great tunes from The Who's rock opera "Tommy." With a nod to Mario Bauz and Tito Puente, Rick Hirsch has reimagined this classic rock anthem as a high energy mambo. The

Here's a wonderful update of Tommy Dorsey's classic theme song. It's totally playable by high school jazz bands, yet it also sounds great with college and professional groups. It's written as a trombone

This catchy mambo is built almost entirely on the rhythmic figure clapped in the first two bars. Its authentic mambo flavor is a blast to play. After two bars of hand claps, it's winds only, then

This chart will give wind players something to take home and woodshed. The syncopated even-8th note groove that carries on throughout the tune is infectious. It features tenor sax, trumpet, and/or shredding

Metroliner, with its 16th-note contemporary groove, portrays the chugging and propulsive feel of a train ride through America's northeast corridor. This uniquely funky programmatic chart was

Miles' Big Band Dojo is an up-tempo swinger bookended by rubato statements of the exotic main theme, which is derived from a pentatonic mode found in traditional Japanese music. Its exciting big

Here's the chart that won first place in the 2015 Ithaca College Jazz Ensemble Composition Contest. It's a one-of-a-kind work with a compelling musical narrative, unique soundscape, and a tune that won't go

A movement of a suite yet to be completed, this is a musical portrait of Hollidaysburg, Pennsylvania's Chimney Rocks a few hundred years ago, when the land was inhabited by Susguehannock