In 1609, Michael Praetorius harmonized the version of Lo, How a Rose E'er Blooming with which most of us are familiar. His contemporary, Melchior Vulpius, created a four-voice canon on the same
This four-voice canon on the tune Lo, How a Rose is a great piece for opening a concert, or appropriate for putting together a quick piece for Church services.
Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet quartet reflecting performance interpretations created by organist, Virgil Fox,
This is an abridged transcription of the Gloria from John Taverner's 1530 mass, "Western Wynde (Wind)," for flexible brass quartet. Parts are provided for two trumpets (the second is a duplicate of the F