Fifteen Bach Inventions, originally composed for keyboard, transcribed for violin and viola duet. Parts only, no score. 

Ferdinand David's classic arrangement of Bach's Two-Part Inventions for piano has been newly edited by acclaimed violinist and Baroque specialist Nanae Iwata. Includes generous, scholarly annotations on

The popular Sebastian Lee cello etudes for developing players, arranged with an optional accompaniment cello part. 

The Cello Concerto was Elgar's last important work. He began the piece after recovering from a throat infection in the summer of 1918, and he completed it during the summer of 1919. Felix Salmond gave the

In Apres un Reve, a dream of a romantic flight, away from the Earth, and "towards the light" is described. However, upon waking to the truth, the dreamer longs to return to the "mysterious night"

This short piece by Gabriel Fauré was written for solo violin and piano in or about 1879. First performed in February of 1880, the piece was later arranged for violin and orchestra, as well as other

This short piece by Gabriel Fauré was originally written for solo violin and piano in 1879 and was first performed in February of 1880. The lyrical melody has since been arranged for a variety of

After the great success of his setting of Kol Nidrei for cello and orchestra, Robert Hausmann (the dedicatee of that piece), asked Bruch to write even more music for the cello. In July of 1890

An airy, delightful piece with singing, florid melodic writing.

The Cello Sonata No. 1 in D minor, Op. 109 was composed in 1917 and is the first of the two cello sonatas by Gabriel Fauré. The three-movement work was dedicated to cellist Louis Hasselmans, who gave

Edited by Daniel Morganstern. For cello & piano. Composed in 1900 for a colleague at the St. Petersburg Conservatory. Includes notes by and about the editor. Score, 5 p. ... view details

Through careful study of both Mozart's original handwritten manuscript and Joseph Joachim's own edition, legendary violinist Aaron Rosand presents an invaluable performance edition of this important work.

Edited by Julius Klengel & Daniel Morganstern. For cello & piano reduction. Originally for cello and orchestra. Based on Klengel's original edition. Score, 22 p. and part.

Edited by Julius Klengel & Daniel Morganstern. For cello & piano reduction. Originally for cello and orchestra. Based on Klengel's original edition. Score, 28 p. and part.