Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured
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For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965
Now for the first time in print, this publication is based on Nelson Riddle's original set of parts used by Frank Sinatra for the 1956 session with Quincy Jones' modifications for the Live at the the Sands