This work is part of Susan L. Nigro Contrabassoon Recital Series. The solo consists of 3 movements for contrabassoon and piano with musical symbolism in each. Movement I, Hooray! We're Here!, has only
For contra-alto clarinet & piano. First printing. One movement. Score, 4 p. and part.
For soprano sax & piano. First printing. Three movement work in the style of Tchaikovsky. Includes program and biographical notes. Premiered in Melbourne, November 2013.
For contra-alto clarinet & piano. First printing. Originally composed for contrabassoon. Based on a tune by Samuel Scheidt. Includes program and biographical notes. One
Part of the Susan L. Nigro Contrabassoon Recital Series, this piece is a free fantasy based on the hymn Herzlich tut mich verlangen, adapted by the 17th-century German composer Samuel
For oboe & piano. First printing. Commissioned by and dedicated to Chelsea Cox. Includes program, performance and biographical notes. One movement work. Score, 13 p. and
More Greek Myths is a 'sequel' to at set of Four Greek Myths that the composer wrote for contrabassoon and piano in 2004. This set was written in 2007 at the request of Susan Nigro.
Constructed in a
Old Clock was commissioned by and dedicated to Susan Nigro. The thematic material of the piece is derived from the initial piano clusters, distorted sounds of an old grandfather clock. Several gestures of
For violin & piano. First printing. Three movement work. Includes program and biographical notes. Score, 33 p. and part.
For bassoon & piano. First printing. Contents: Little Sisters of the Grassland and Red Blossoms. Score, 13 p. and part.