This work is part of Susan L. Nigro Contrabassoon Recital Series. The solo consists of 3 movements for contrabassoon and piano with musical symbolism in each. Movement I, Hooray! We're Here!, has only
For contra-alto clarinet & piano. First printing. One movement. Score, 4 p. and part.
For solo saxophone. Composed in 1929. Contents: Allegro con moto; Scherzo demoniaco; Larghetto
Piano reduction by Miriam Hickman. For saxophone quartet & piano reduction. First printing. Originally composed for sax quartet and band, for the US Navy Band. Three movements. Includes program notes.
For soprano sax & piano. First printing. Three movement work in the style of Tchaikovsky. Includes program and biographical notes. Premiered in Melbourne, November 2013.
Scored for flute, clarinet, violin, cello and piano.
For contra-alto clarinet & piano. First printing. Originally composed for contrabassoon. Based on a tune by Samuel Scheidt. Includes program and biographical notes. One
Part of the Susan L. Nigro Contrabassoon Recital Series, this piece is a free fantasy based on the hymn Herzlich tut mich verlangen, adapted by the 17th-century German composer Samuel
For soprano, alto flute & piano. First printing. Poem by Pierre Louys. Composed for soprano Daniela Yurrita. Premiered in Puerto Rico, May 2014. Score, 8 p. ... view details
For 2 flutes. First printing. One movement work. Includes program and biographical notes. Score, 12 p. ... view details
For oboe & piano. First printing. Commissioned by and dedicated to Chelsea Cox. Includes program, performance and biographical notes. One movement work. Score, 13 p. and