Angela Weld Grimke's text is brought to life in this a cappella setting for treble voices. This bright, joyous piece emulates feeling awakened by the dawn.
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"The whole world is a very narrow bridge and the main thing is not to be afraid at all." Set in the original Hebrew, with dramatic rhythmic intensity, this setting of an 18th-century text by Rebbe
With unyielding imagery William Orpen, by vocation a painter not a poet, portrays a muddy morass in "The Church, Zillebeke, October 1918.” Mud clings and hinders, mires and confuses. Here
"Ffe Mwe Mwe Ffe" begins with a simple unison call, the energy of community coming together for the common good grows with each interwoven and layered rhythm that enters. A soloist then introduces