Isaiah 49

This collection for trumpet and trombone contains a ton of variety for any performance situation. Titles include: Fur Elise (Beethoven); Minuet and Trio (Mozart); Adagio And

Featuring an array of 15 classics for grade 3-4 players, the musical selections have been carefully chosen and edited to ensure that it is idiomatic for each pair of instruments. Therefore, one book will

Writtten for players of similar abilities and designed to challenge both of them, these idiomatic duets are appropriate for all recital, audition, jury and contest performance settings.  The first half

Ludwig van Beethoven's Adagio movement of the Pathetique Sonata (Movement 2, No. 8, Op. 13) is one of the most beautiful in the repertoire. This Grade 4 setting of the themes from this

Ludwig van Beethoven's Adagio movement from the Sonata Pathetique (Piano Sonata No. 8 in C minor, Op. 13, Movement 2) is one of the most beautiful in the repertoire, with flowing

Flutists will love this expressive version of Bach's beautiful piece from his Orchestral Suite No. 3. An optional Alto Flute part is included as a substitute for fourth Flute.

Ideal for all performance settings and programs, this saxophone quartet edition features the graceful Air and the rousing Finale from Handel's famous Water Music. The

This immortal J.S. Bach theme from his Orchestral Suite No. 3 lends itself exceedingly well to the full, rich timbres of a trombone quartet. The top three parts are to be played in a flowing legato

Brass players will definitely enjoy playing this arrangement of the celebrated theme from the second movement of Bach's "Orchestral Suite No. 3." With reasonable ranges and optional simplified tuba

This famous composition from J.S. Bach's Orchestral Suite No. 3 is a lyrical and melodic masterpiece. Tone quality and phrasing star in this selection transcribed for a developing ensemble at the grade

Containing selected themes from the first movement of Symphony No. 41, this Grade 4 arrangement of Mozart's last symphony clearly shows his brilliance. Mozart's adventurous approach to the material paves

This four-part fugue, reminiscent of J.S. Bach, is a must for every developing clarinet quartet. A great example for ensemble playing and development, all four players will be delighted with the importance

The difficulty of this marching groove powerhouse stems from the use of hemiola throughout the piece and occasional mixed meter. The snare, timpani and tom parts are great for showcasing more advanced

A master of melodic expression, this hauntingly beautiful theme from Tchaikowsky's String Quartet No. 1, Op. 11 is based on a Ukrainian ... view details