Crossing the break can be a source of frustration for developing clarinetists. The Break is a logical guide for mastering this important step in clarinet performance. The method is divided
For clarinet & string quartet. Printed from manuscript. Commissioned by the Berkshire Quartet. Three movements. Score, 20 p. and parts.
For clarinet & piano reduction. Revised edition. This new edition offers for the first time a clarinet solo part edited with commentary by internationally-acclaimed clarinet artist Richard
An often neglected, yet very important aspect of Mozart's prodigious musical output was how revolutionary so much of it was. The inspiration for this most often came from the fact that he wrote for his
For clarinet in A / bass clarinet & piano. First printing. This is a solo version of Dance Concerto, composed in 2013. Duration: ca. 18'. Spiral bound score, 66 p. and part.
For clarinet, violin, cello & piano. Printed from manuscript, reprint. One movement work. Includes preface and
Lukas Foss was asked by Artie Shaw in the 1940s for a new work. Foss composed Elegy for clarinet and orchestra. The manuscript was given to Richard Stoltzman by Foss just before his death. Foss and
Plunge into an ocean of music and meet the sarcastic fringehead fish, stoplight parrotfish, a love-struck seahorse, and more. Also available for chamber orchestra. For flute, clarinet, bassoon, violin,
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For clarinet, cello & piano. First printing. Commissioned by Carole and Chris Page for the Ocean Reed Chamber Music Festival, Key Largo, Florida 2018. Three movements. Duration: ca. 15'. Spiral bound
For clarinet, violin, cello, piano & percussion. Printed from manuscript. One movement. Duration: ca. 6'. Score, 14 p. and parts.
In one movement. With a biographical note. Originally written for flute, this music is adapted here for clarinet. The music is lyric and challenging. Duration ca. 7 minutes.
Transcribed and edited by Richard Stoltzman. For clarinet in A & keyboard. Originally for viola da gamba. Four movements. Includes preface and editorial notes. Score, 16 p. and part.