This hauntingly beautiful arrangement features the gentle feel of a lullaby and an interesting mixture of major and minor modes. Adapted and translated from the traditional carol, it alternates between
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This exuberant original will make an excellent fanfare or processional for Christmas concerts or services. The call-and-response style is easy to learn and lends itself to antiphonal performance. The text
Limited ranges, repeated sections, and creative choral arranging ensure success with this Victor Johnson favorite. This longtime bestseller features percussion parts for sticks, shaker, bongo or African
Edna St. Vincent Millay's vivid poetic imagery and emotional message come to life in this lovely, expressive piece. "I will be the gladdest thing under the sun! I will touch a hundred flowers and not pick
This simple but eloquent setting of the gentle, haunting American folk song makes a good selection for concert or contest. The time change from 4/4 to a jazz waltz in 3/4 offers built-in teaching
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"And this shall be for music, when no one else is near, such a fine song for singing, the rare song to hear!" And such a fine song this is, through the marriage of memorable music to Robert Louis
This gorgeous original lullaby is full of simple and beautiful images: a garden awaiting the return of spring; snow as soft as lamb's wool; a sleepy child dreaming of songs that "rise on silken wings."
Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum
A very impressive opener or contest/festival piece! Bright, fanfare-like motives, incisive accompaniment, and text in Latin and English work together to make this work a standout for young and developing
Original melodies and lyrics combine with Swing Low, Sweet Chariot and Good News to produce this rousing number. Easy and fun to sing!
These two traditional songs fit together amazingly well in this excellent concert/festival selection! Each voice part becomes more independent as the arrangement progresses, and when all the parts do their
Twenty-three familiar holiday songs in three minutes! For extra fun, you can involve your audience in counting the tunes as they fly by. Your students can even hold up numbered signs every time a different