1 Corinthians.13

This moving anthem based on the calming text found in Psalm 46:10 will be very welcome in your worship services. The stillness of the text is matched with a lovely original melody and piano accompaniment.

This composition features an original melody combined with a familiar and much-loved text. The two contrasting parts make this an easy and effective anthem for choirs of all sizes. 

A collection of eight vocal solos that span the church year. Written with the volunteer singer in mind, these songs combine artistry with practical ranges and settings that will be quick to learn and

The familiar words of Psalm 51 are the inspiration for this lovely anthem. Voices, piano and optional handbells come together as one voice to give praise in this song of renewal.

A simple but transcendent setting of the chant tune CONDITOR ALME SIDERUM, this movement from Kneeling in Bethlehem begins with men in unison against a handbell ostinato. The second stanza is

This well-known 13th-century text is the basis for the opening stanza, followed by a fine new text for stanzas two and three. Set for unison voices with an optional second part, it is easily adapted to

The joyful tune IN DIR IST FREUDE by Gastoldi forms the basis for this easy anthem with a modern text. Useful for choirs of many types and sizes, the addition of tambourine and hand drum makes this a

The text for this piece is attributed to St. Ambrose of Milan and speaks of the glorious gifts of God as seen through the lives of those who have gone before. The DEO GRACIAS tune is presented in a quick

Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and

This collection of responsorial psalms for the entire three-year lectionary cycle is a welcome and worthy addition to the repertoire. These memorable setting are infused with harmonic freshness and melodic

The familiar tune BEACH SPRING is used in this accessible and flowing setting of this great communion text. The organ and vocal part is simple and effective. There are a few a cappella measures that are

The tune FOUNDATION is put through its paces with five verses that includes unison, two-part women then men, a three-part round, and concludes with full forces including descant. The congregation may be

Karen Marrolli provides an original melody for a text first published anonymously in London in 1878. Set in four parts with a fair amount of unison singing, the almost folk-like tune is singable and

This beautiful Lenten reflection, combining the texts Lord, Who Throughout These Forty Days (NEW BRITAIN) and Jesus Walked This Lonesome Valley (LONESOME

This reproducible performance edition of Panis Angelicus includes the Latin text by Aquinas, a singing translation by the editor, and the text, O Lord, Most Holy (source unknown). It also