Ezra 1

This setting of the Luis Bojo text and tune (SANTO DOMINGO) is infectious fun from beginning to end. Percussion is optional, but simple and very effective. There is a section where the women and men each

Inspired by Psalm 133, composer Michael John Trotta has written a lovely a cappella piece that celebrates the unity of brotherhood among all people. This calm, sonorous work is the perfect choice for a

Constructed almost as a choral recitative and aria, the first section But He Was Pierced is unaccompanied. All We Like Sheep follows, with its jaunty changing meters and a keyboard

This rich a cappella arrangement opens in unison, moves into four-part women's voices, and is then followed by a haunting choral accompaniment for the medium voice solo. After a four-part men's section, the

Straightforward and elegant, this unaccompanied setting of Matthew 11:28-30 has an optional organ reduction which can double the singers. In ABA form, the pleasing and mildly contemporary harmonies evoke a

Neil Harmon's adaptation of an 1875 text is surprisingly relevant, due to its simple structure. First, it names a situation in which we all find ourselves from time to time, then asks, "Did you think to

Recently celebrating its 50th year in print, this breathtaking choral essay is simply one of the finest choices for Advent or general services with a text based on Revelations 22. Conceived for a

This creative setting of a traditional text evokes awe and mystery by using an original, almost chant-like melody that is anchored by piano or four handbells (within a two-octave set). The bells comment

This lively arrangement of a traditional French Christmas carol may be sung in either English or French. A cappella, it features animated polyphony throughout, with a delightfully layered and varied choral

A selection of scriptures form the basis for this plaintive Lenten anthem. The opening is solemn and expressive with deeply heartfelt expressions of prayer. The part writing skillfully interprets the text

Usually set to a jaunty, rhythmic tune, you will be quite pleased with Peter Niedmann's smoothly flowing original setting of this text. For unaccompanied SATB with occasional divisi. Different, expressive,

The piece begins with a gentle, prayerful choral statement of the Vater unser ("Our Father, who art in heaven") text which is repeated at various times with a soprano soloist added above offering

This a cappella setting of John 14:15–17 encourages us to live our faith with love and devotion. The piece begins with a canonic statement of the text from each voice part. It features a combination

A cappella choirs will enjoy this ethereal arrangement of the traditional Christmas carol. The melody is easily identifiable throughout, and a quiet energy makes it an exciting setting.

This early American folk song is given a rollicking setting, mostly SATB but occasionally has the women and the men dividing into four parts. The heritage of the tune is evident in the overall feel of the

Matthew Culloton has created a gorgeous setting of the familiar carol scored for SATB divisi voices with soprano solo, a cappella. Beautiful textural and harmonic touches, alternately simple and complex,

Neil Harmon's lovely new music refreshes this timeless Christmas carol text. This anthem is scored for SATB voices with some divisi. The men briefly divide into four parts (with cues for two parts), and the