Revelation 19

A haunting and contemporary a cappella arrangement of a wonderful old English carol. The subtle dissonance and tonal shifts make this a memorable and meaningful setting. Great for use within a liturgical

This arrangement of the Spanish Toda la Tierra tune is set in a hymnlike form, yet the music never feels static as each statement is given a variety of textures throughout. From a simple

This arrangement of the familiar carol begins very much like a traditional four-part setting but progresses in the expansion of the choral parts as the piece develops. The voice leading is superb and

Gentleness, warmth and light shine through this beautiful Christmas anthem. The text by Edward Caswall first appeared in Carols Old and Carols New in 1916. A beautiful and poetic retelling of the Christmas

A beautiful G.K. Chesterton Christmas poem has inspired this newly composed carol that includes quotes from God Rest You Merry, Gentlemen, primarily in the introduction and interludes. Scored for

A light and playful concertato that includes an option for flute. The wonderful Paul Gerhardt text and traditional tune WARUM SOLLTICH are masterfully set here in a way that will breathe new life into the

An accessible rendition of this 16th century English carol. The arrangement is simple, yet moving. Mr. Hopson alters the melody and harmonic language as the piece progresses.  This accompanied carol is

The traditional carol text is set to lively new music for SATB voices accompanied by a dance-like organ accompaniment. The vocal texture is simply scored and varied by verse, united by delightful refrains

This cheerful set of Eucharistic Acclamations, based on the Christmas melody Resonet in laudibus, was written for assembly, SATB, and organ with optional brass quartet. It is clear

This lovely medieval carol lends itself to a myriad of treatments. This setting utilizes an "early music" style with a contemporary twist, and it extends the "Gloria" for an exciting ending. The vocal

Composer Matthew Culloton brings his special touch to this traditional Basque Advent carol. Scored for SSATBB a cappella voices, it retains the most familiar elements of the carol while adding fresh,

A lively, sacred Renaissance piece from the 14th century. It may be sung in Latin or in English and uses both treble choir as well as SATB chorus.  The percussion parts are included in the score and

Stuart Forster's festive arrangement breathes new life into this beloved carol. Verses for choir alone, for men, and for women provide variety before the descant and enthralling harmony of the final verse

This lively arrangement of a traditional French Christmas carol may be sung in either English or French. A cappella, it features animated polyphony throughout, with a delightfully layered and varied choral

Matthew Culloton has crafted a fresh, sensitive setting of The Holly and the Ivy for SATB divisi a cappella voices. The four stanzas flow gently through shifting tonal regions and nicely varied

This setting breathes new life into the familiar Christmas carol, giving it a luxurious and contemporary flair. The setting is arranged for choir and orchestra or may be performed with piano only. 

A sprightly organ part supports the accessible choral writing in this setting of the familiar tune. The macaronic text features Latin and English over four verses, with the third intended to be a cappella.

The beloved Christina Rossetti poem is set to highly sensitive original music, with each stanza effortlessly flowing into the next. Lush a cappella harmonies, with some divisi, and a soaring soprano descant

Matthew Culloton has created a gorgeous setting of the familiar carol scored for SATB divisi voices with soprano solo, a cappella. Beautiful textural and harmonic touches, alternately simple and complex,

Are you looking for the most beautiful a cappella SATB (Divisi) version of this Polish carol? Then look no further. Choirs and congregations alike will love this fabulous new arrangement. Highly

This a cappella setting of the traditional carol opens with a spotlight on the tenor section with background choir "oohs." The second stanza is more homophonic, and in the third, the carol is sung

Scored for SATB voices a cappella, this setting of the beloved ancient text builds by verse from unison to homophonic SATB voices in verse four before returning to unison for most of the final verse. The E

A very accessible setting of the traditional Christmas carol highlighted by a wonderful orchestral arrangement – just the right mix of traditional and something new to marvel at. One of the featured

Very sustained, long legato lines characterize this arrangement of the favorite 14th-century carol. Slow, gently moving meter changes create a almost meterless atmosphere, giving creating an ethereal mood.