This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and
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A lyrical and lovely setting of a text by St. Augustine which is both moving and authoritative, and is sometimes referred to as a resurrection prayer. The SATB setting and flowing piano accompaniment do
A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For
Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.
Michael Larkin has created a lovely setting of Revelation 14:13 that is expressive and approachable, for All Saints as well as for memorial or funeral services. It may be performed a cappella or with piano
Jayne Southwick Cool has written a stately new tune and text based on Psalm 100 and set in a classic hymn/anthem style. The first stanza is in unison, the second SATB with the trumpet playing OLD HUNDREDTH
This concertato on ST. GEORGE WINDSOR begins with an introduction in which the melody is set against a jaunty countermelody of dotted rhythms, a motif which recurs throughout the piece. The first verse is
This refreshing setting of the hymn tune DIX is set in a flowing 3/2 meter which extends the phrases of the familiar hymn. This shift in meter allows for a seamless blend into a verse of the CRUSADER'S HYMN
With themes of unity, thanksgiving, and outreach, Mary Jackson Cathey's text is paired with the beloved tune ES FLOG EIN KLEINS WALDVOGELEIN. This hymn concertato is scored for choir, optional solo descant,
"Come, sing your praises to the Lord; Let them resound both loud and log." This uplifting text is presented with the familiar Shaker Tune to create an ebullient anthem for mixed voices, keyboard and
Here is a rousing setting for a cappella chorus on the tune Invitation from the shape note collection Southern Harmony of 1835. With an alternate text for the Christmas
This adaptation of Isaiah 40:21 is in the first person, so it appears as if God's reassuring voice is speaking through the choir. Easy SATB writing is complemented by the piano, and the violin and clarinet
Drawing from the book of Revelation, this anthem proclaims God's reign from the beginning to the end of time. The text inspires awe and reverence and will fill your choir and congregation with a sense of