Collegiate & Advanced Repertoire

This beautiful setting of the text by Kahlil Gibran is set for treble voices in six parts. While mostly a capplla, there is some limited handbell accompaniment which adds greatly to the overall effect of

This work, set for SSAA voices and piano, only amplifies and adds to an absolutely gorgeous text by Sara Teasdale. Commissioned by the VOCO Singapore Ladies Choir.

Each volume of the these choral anthologies presents a collection of Esenvalds' most popular choral offerings in a convenient edition. Volumes 1, 2, 4, 5 and 6 are for mixed choirs divisi, and Volume 3 is

A rhythmic drive in the divisi inner voices contrasts with the flowing lines in soprano and bass, leading to a largely homophonic grand maestoso section that builds to grand ending.

This lush arrangement of the ever-popular Irish folk song is written for soprano solo over treble voices, then expanding to full choir. The traditional tune but a completely new harmonization, with rich,

Set for SSAATB voices with campanelli/glockenspiel accompaniment.

Perfect for the ensemble looking for works from other cultures, this cinematic setting of the Latvian folk song contains repetition which makes the Latvian more accessible. This also includes English

An interesting work that is basically a cappella - only a bass drum accompaniment. This work also has aleatoric passages and an expanded harmonic language.

Described by the composer as a "symphonic miniature," this a cappella work is homophonic for the most part with a fairly traditional harmonic language.

A lush, warm, and flowing setting of this sacred text in the way only Esenvalds can do it. Absolutely stunning.

Scored for three solo sopranos with SSAA choir. A great way to showcase three soloists.

With a philosophical text from Rabindranath Tagore, this work has multiple moods, from calm and expressive to agitated and rhythmic, as it weaves through the text to find heaven "is in the arms of the

Translated as "In the Evening, When the Sun Sets," this is a serene setting and adaptation of a Latvian folk song, with text in Latvian and English. A truly lovely treble arrangement!

For SSSAAA voices. A particularly striking piece for a children's choir. With percussion and Latvian text

"My song will be like a pair of wide wings to your dreams, like the fond arms of love it will wind its music around you..." This beautiful text espousing the power of song is set in a flowing accompanied

This work is based on Who has seen the wind?, #85 from the Christina Rossetti book Sing Song: A Book of Nursery Rhymes. Set for organ and cello accompaniment.

An atmospheric piece for upper voices with vocal lines that match well with the text written by pilot John Gillespie Magee, Jr. experiencing the euphoria of flight.

A lovely and dreamy setting, with the rich textures of a Paul Laurence Dunbar text: "If you could sit with me beside the sea today, and whisper with me the dreamings...."

For double choir and solo violin, taken from the larger work Whispers on the Prairie Wind for orchestra and choir which premiered in 2015 with the subtitle Farewell to My Friend. This is a

Beautiful work for choir and handbells featuring a Sara Teasdale text set homophonically.

Mimicking the diverse sounds of calling patterns, this Latvian piece explores sounds, vocables, and different tone colors to create an engaging a cappella concert work for advanced treble choirs.

Utilizing beautiful cluster cadences and dramatic changes of pace, this dramatic choral work with lush orchestration sets the traditional Latin Te Deum text.

An a cappella setting that's as smooth as glass for SATB divisi choirs. With a Latin text and a soaring solo, this modern harmonic masterpiece features cluster chords and extended cadences in a beautiful

Set for a cappella choir to a poem by Bengali poet and musician Rabindranath Tagore. The heartwarming music takes up the inspirational spiritual message of the poem: that we live our lives in one salutation