Collegiate Repertoire

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.

An excerpt from Kurt Sander's "The Divine Liturgy of St John Chrysostom," the first complete setting of the Orthodox Liturgy in English composed in the Slavic choral idiom.

An excerpt from Kurt Sander's "The Divine Liturgy of St John Chrysostom," the first complete setting of the Orthodox Liturgy in English composed in the Slavic choral idiom. This work is a first-rate example

This brilliant setting from Psalm 102  features a solo tenor or baritone canonarch, whose lining out of the text alternates and overlaps with SATB chorus. This antiphon from The Divine Liturgy of

The solemn majesty of this Russian sacred favorite is set here with four voicings. The fact that the text consists of a single psalm verse, followed by "Alleluia," makes singing this piece in the original