Genesis 28

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.

This brilliant setting from Psalm 102  features a solo tenor or baritone canonarch, whose lining out of the text alternates and overlaps with SATB chorus. This antiphon from The Divine Liturgy of

An excerpt from Kurt Sander's "The Divine Liturgy of St John Chrysostom," the first complete setting of the Orthodox Liturgy in English composed in the Slavic choral idiom. This work is a first-rate example

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.

An excerpt from Kurt Sander's "The Divine Liturgy of St John Chrysostom," the first complete setting of the Orthodox Liturgy in English composed in the Slavic choral idiom.

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.

A movement from the complete setting of "The Divine Liturgy of St. John Chrysostom," which was composed in the Slavic idiom reminiscent of Tchaikovsky, Gretchaninoff, and Rachmaninoff.