Hebrews 7

The well-known EASTER HYMN from Lyra Davidica is set in concertato form for three trumpets, three trombones, tuba, timpani, and percussion. A festive brass introduction is joined by the organ as the joyous

for SATB and organ or orchestra Orchestral score and parts are available on hire Also available in Anthems for Choirs 4 and Ash Wednesday to Easter for Choirs, with a version for SSA and organ available in

This setting of the well-known hymn text "Christ the Lord is risen again!" features bright vocal lines and an energetic accompaniment. The scoring is flexible, allowing performance with either one or two

One of Mack Wilberg's signature arrangements for the Mormon Tabernacle Choir.  Written using four stanzas of the famous Easter hymn with interludes and a grand orchestration.  Unison stanzas are

For SATB (with divisions) unaccompanied. An impressive setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum. A staple for choirs around the world

This dramatic choral work sets a text by David Warner that artfully weaves together multiple witnessing stories of Christ's resurrection into a single narrative. Wilberg employs an effective array of

The resurrection text for this joyful arrangement with organ of the hymn tune REGENT SQUARE is adapted from Thomas Kelly's celebratory Easter hymn He Is Risen Today. An alternate text, Lord,

Commissioned by Sonoro for the second installment of their Choral Inspirations project, this piece was composed as a response to Antonio Lotti's Crucifixus from Credo in F. Use of suspensions,

This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterize the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple but

John Taverner's Respond 'Dum transisset Sabbatum' (I) is now established as one of the finest examples of English polyphony composed in the last days of the Sarum Rite. Scored for SATBarB, alternating

This declamatory setting of a popular Easter text by Gerard Manley Hopkins is in an upbeat 7/8 meter. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousing

This short collection presents the complete set of hymns from Chilcott's stunning setting of the St. John Passion.  The five well-known hymn texts are set to new, original melodies, which are

This Easter carol is based on a translation from the Latin Piae Cantiones and set in strophic form, with a texture that builds from verse to verse and with varying harmonizations, culminating in a