Hebrews 7

Evocative and moving polyphony paired with a text meditating on mankind's relationship with God.

For SATB (with divisions) unaccompanied. An impressive setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum. A staple for choirs around the world

Commissioned by Sonoro for the second installment of their Choral Inspirations project, this piece was composed as a response to Antonio Lotti's Crucifixus from Credo in F. Use of suspensions,

This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterize the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple but

John Taverner's Respond 'Dum transisset Sabbatum' (I) is now established as one of the finest examples of English polyphony composed in the last days of the Sarum Rite. Scored for SATBarB, alternating

This declamatory setting of a popular Easter text by Gerard Manley Hopkins is in an upbeat 7/8 meter. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousing

for SATB unaccompanied  If you love me is a beautiful and unique setting of a well-known Pentecost text. Coloured by nuanced dynamics, Young's rich, extended harmonies create tension throughout the

Fresh, crisp, and full of life, this work is the perfect setting for the jubilant words recounting the descent of the Holy Spirit upon the Apostles. 

This well-known text is particularly suitable for Good Friday, but may be used throughout the year. The fluid setting expresses the phrase, "take frail flesh and die" with a sighing musical motif before the

This expressive, proclamatory setting of verses from George Herbert's poem, Easter, features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

Victimae paschali laudes is an atmospheric arrangement of the traditional plainsong melody for this Latin text for Easter Sunday. Changing meters enable an authentic presentation of the plainsong