Revelation.21

With auxiliary percussion, timpani, and piano.

Flowing lines and interesting harmonies make this very worthwhile music.

This a cappella setting of the Lord's Prayer is colorful and word focused. Added dynamics help to distinguish each section of the piece. The tenor part is written in the bass clef. A great piece for all

This a cappella setting of Psalm 42 is simple yet effective. There is some mixed meter used to fit the text, voice leading is accessible, and ranges are reasonable. A nice addition the the Lenten

This piece is a powerful and disturbing commentary on war. The words of this moving piece were written by an unknown soldier.  Full of challenging rhythms, melodies and harmonies, this piece has great

Shallow Arms is a cappella, using two voices (choirs): the sopranos and altos represent one voice and the tenors and basses represent the other. Each time one voice encounters the other, there is

An Angel Embraced Me is introduced by the piano, set not as an accompaniment but as an equal voice to that of the choir. The encounter in this poem is between a human and an angel: a juxtaposition

I Heard the Sky is an anticipation of reuniting a relationship. Through symbolism, the narrator speaks of the isolation and loneliness prior to an encounter with the other person. The music

Wonderful setting of a meaningful poem of William Butler Yeats about aging and remembering the past. The first half is unison. The piano part is of great support to the mood and evolution of the story. The