With its impressionistic harmonies, lush piano accompaniment, and wide dynamic range, this arrangement is true opportunity for the traditional choir to shine.
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This upbeat anthem celebrates the glorious name of God the Father and Son with a joyful R&B feel. The choral arrangement is breezy, featuring a lot of unison, and some cool and approachable harmonies
Based on a concept in Psalm 62, "God Alone" sings of our frailty and that our salvation lies only in God. A heartfelt and moving ballad.
A mid-tempo acoustic rock song, in 6/8, celebrating the ultimate bridge from God to man - the cross. The choral vocals are accessible and won't require hours of rehearsal to master.
Featuring a solo with choir, this lovely new worship song celebrates the assurance that God is always at work with his church, creating "something new." With inspirational orchestration, this anthem will be
A power ballad, featuring a baritone solo (Luke Garrett's final recording) and SATB choir. A song of commitment and faith, it's message is summed up in the opening line of the chorus: "God opens a door for
Commissioned for the Georgia Baptist Jubal Chorus, this stunning arrangement of the hugely popular hymn explores the full emotional range of the traditional choir. It begins with a prayerful hush, rises to
Energetic and exuberant, this hymn arrangement functions well for the traditional choir in almost any service or concert setting. Optional brass & percussion accompaniment available.
Paul Smith's powerful lyric lays out why God alone is "worthy of our praise without end" over a mesmerizing and ever-building music bed. Featuring an SATB choir led by a baritone solo.
A great upbeat feature for a praise ensemble or band, the feel is a shuffle reminiscent of Toto. A male solo leads with choir backup. The lyrics, while straightforward, convey a depth of meaning. Your
A very cool R&B groove sets this worship song apart from other praise & worship-style anthems. Your praise ensemble and choir will enjoy the modern harmonies yet will find them not all that