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Worship Planning ››  Matthew 19 (38)

Matthew 19


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A Bunch of Pieces in Treble Clef A Bunch of Pieces in Treble Clef
WELLMAN, SAMUEL - SAMUEL WELLMAN

Czerny and other romantic composers of numerous easier teaching pieces for piano often set both hands in treble clef using easy keys, especially C. I decided to follow suit, but my collection is a bit... view details
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Away in a Manger Away in a Manger
Murray, James /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A lyric and texturally rich arrangement of the famous tune by James Murray. Feel free to roll any chords spanning over an octave. Enjoy the many jazzy chords and irregular resolutions of dominant harmonies. My... view details
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Be Thou My Vision Be Thou My Vision
Irish melody /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A harmonically luxurious arrangement of this unique and hauntingly beautiful tune. There are mild surprises: the introduction is in E flat, but the first verse opens unexpectedly in C. I reverse this process... view details
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Beets in the Oven, Op. 157 Beets in the Oven, Op. 157
Beethoven, Ludwig van /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

The curious title is a corruption of the name 'Beethoven.' For my model I chose the first movement of Beethoven's Sonata in G, Op. 49 No.2, a popular work which is not overly difficult. I took the original and... view details
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Carol of the Bells Carol of the Bells
Leontovych, Mykola /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A technically challenging arrangement of the Ukrainian carol. One of the difficulties I faced was to give harmonic variety to the 4-note motive featured in the tune. The outer sections of my arrangement are... view details
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Cool Ade, Op. 193 Cool Ade, Op. 193
WELLMAN, SAMUEL - SAMUEL WELLMAN

'Cool Ade' is a jazz piece. The title implies that my piece is 'cool,' and it also refers to the popular juice drink. The opening idea is in 9/8. The left hand is clearly in compound triple time, but the right... view details
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Dance Caprice, Op. 168 Dance Caprice, Op. 168
Grieg, Edvard /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

Did you ever wish to play a classical standard with some added difficulties? Now's your chance! I chose Grieg's Dance Caprice and messed it up a little with extra chromaticism and various juicy chords (some... view details
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Doce Canciones de Amor Mexicanos Doce Canciones de Amor Mexicanos
WELLMAN, SAMUEL - SAMUEL WELLMAN

My 'Twelve Mexican Love Songs' aim to imitate the style of music you hear when enjoying a meal in a Mexican restaurant, except that my pieces aren't true songs since they have no lyrics, and the titles have... view details
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Go Tell It on the Mountain Go Tell It on the Mountain
Afro-American spiritual /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

My principal aim in this arrangement was to make it as jazzy as possible, both in rhythm and harmony. The middle section is slow; the outer sections are bright and peppy. This format is common in many of my... view details
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God Rest You Merry, Gentlemen God Rest You Merry, Gentlemen
English melody, E /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A challenging arrangement of the English Christmas tune. I use many jazz harmonies, but not jazz rhythms. There is an extensive introduction to create a contemplative atmosphere. I set three verses; the second... view details
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Good People All, This Christmas-Time Good People All, This Christmas-Time
Wexford carol /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

This is an arrangement of the Wexford carol, a unique Christmas tune which deserves to be better known. The lowered seventh and third scale degrees in the second half of the tune are remarkable and suggest... view details
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Gorilla Dance with Tulips Gorilla Dance with Tulips
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my fanciful collection 'Melodies of Ficklepenny.' 'Ficklepenny' is a made-up word, and my titles are intended to make no sense. You may, perhaps, detect a bit of waltz in 'Gorilla,' a good example of... view details
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Homage to O'Carolan, Op. 218 Homage to O'Carolan, Op. 218
O'Carolan, Turlough /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A rich and rhythmically adventurous setting of nine tunes by Irish harpist and singer Turlough O'Carolan (1670-1738). A gifted melodist, O'Carolan's tunes, numbering over 200, superficially resemble Irish... view details
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Ice for Sale Ice for Sale
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my humorous collection 'Folksongs of Antarctica.' Antarctica has a surplus of ice so you can buy it very cheaply. The energetic nature of my piece is periodically punctuated by a speech rhythm mimicking... view details
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Laundry of Mystery Laundry of Mystery
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my fanciful collection 'Melodies of Ficklepenny.' 'Ficklepenny' is a fabricated word, and the individual titles are intended to be nonsense. Note the common use of double-dotted quarters, as well as the... view details
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Lozenge Caper Lozenge Caper
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my fanciful collection 'Melodies of Ficklepenny.' 'Ficklepenny' is an imaginary word, and my individual titles are intended to be nonsense. Note the three-bar phrases in this atonal exercise in four-part... view details
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Much Ado Concerning Little Much Ado Concerning Little
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my collection 'Six Little Nothings' using simple, limited materials. Here, I focus on minor seconds and thirds. The title refers to the Shakespeare play 'Much Ado About Nothing' but otherwise has no... view details
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Neighbor's Leaves Neighbor's Leaves
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my humorous collection 'Folksongs of Antarctica.' The introductory descending passage represents a single leaf, lazily (and chromatically) fluttering down, and the first four notes are a recurring motive... view details
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Not Much Ado Not Much Ado
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my collection 'Six Little Nothings' which use simple, limited materials. This piece uses only minor sevenths, solid and broken. The title refers to the Shakespeare play 'Much Ado About Nothing,' but has... view details
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Nothing Much Nothing Much
WELLMAN, SAMUEL - SAMUEL WELLMAN

From mt collection 'Six Little Nothings' which use limited materials. This particular piece uses only a single note, a dominant seventh, and a polychord, in different voicings. The title 'Nothing Much' refers... view details
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O Come, All Ye Faithful O Come, All Ye Faithful
Wade, John /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

My first arrangement of this wonderful tune, whose text was originally written in Latin. Uncharacteristically for me, I begin with a softer, more improvisatory first verse, then proceed to a faster, march-like... view details
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O Holy Night O Holy Night
Adam, Adolphe /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

My third arrangement of this tune, the text and music originally by French artists. (My first arrangement is rather difficult.) The expansive tune, one of very few in twelve-eight meter, is a joy to sing and... view details
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O Little Town of Bethlehem O Little Town of Bethlehem
Redner, Lewis /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

My second arrangement of this tune (the first is rather defective). No other Christmas carol's lyrics so effectively capture the magic and holy silence of the night of Jesus' birth. As my version proceeds, you... view details
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On Christmas Night All Christians Sing On Christmas Night All Christians Sing
Sussex carol /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

I love arranging folk tunes; they offer wide opportunities to be creative with different harmonies, textures and rhythms. This English tune is a great example. As is so often the case with folk music, this... view details
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