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Away in a Manger Away in a Manger
Murray, James /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A lyric and texturally rich arrangement of the famous tune by James Murray. Feel free to roll any chords spanning over an octave. Enjoy the many jazzy chords and irregular resolutions of dominant harmonies. My... view details
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Be Thou My Vision Be Thou My Vision
Irish melody /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A harmonically luxurious arrangement of this unique and hauntingly beautiful tune. There are mild surprises: the introduction is in E flat, but the first verse opens unexpectedly in C. I reverse this process... view details
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Carol of the Bells Carol of the Bells
Leontovych, Mykola /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A technically challenging arrangement of the Ukrainian carol. One of the difficulties I faced was to give harmonic variety to the 4-note motive featured in the tune. The outer sections of my arrangement are... view details
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Cool Ade, Op. 193 Cool Ade, Op. 193
WELLMAN, SAMUEL - SAMUEL WELLMAN

'Cool Ade' is a jazz piece. The title implies that my piece is 'cool,' and it also refers to the popular juice drink. The opening idea is in 9/8. The left hand is clearly in compound triple time, but the right... view details
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Cradle Song Cradle Song
Brahms, Johannes /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for left hand alone of the famous sleepy tune. I set two verses, the second more florid than the first. As always in challenging one-hand music, accurate leaps are basic, as well as careful... view details
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Dance Caprice, Op. 168 Dance Caprice, Op. 168
Grieg, Edvard /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

Did you ever wish to play a classical standard with some added difficulties? Now's your chance! I chose Grieg's Dance Caprice and messed it up a little with extra chromaticism and various juicy chords (some... view details
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Doce Canciones de Amor Mexicanos Doce Canciones de Amor Mexicanos
WELLMAN, SAMUEL - SAMUEL WELLMAN

My 'Twelve Mexican Love Songs' aim to imitate the style of music you hear when enjoying a meal in a Mexican restaurant, except that my pieces aren't true songs since they have no lyrics, and the titles have... view details
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Furry Lizards, Op. 64 Furry Lizards, Op. 64
Beethoven, Ludwig van /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

Did you ever get tired of hearing 'Fur Elise'? Here's an antidote: my severely messed-up version, complete with 'wrong' notes added, thickened textures, and nonsensical performance instructions in the manner... view details
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Go Tell It on the Mountain Go Tell It on the Mountain
Afro-American spiritual /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

My principal aim in this arrangement was to make it as jazzy as possible, both in rhythm and harmony. The middle section is slow; the outer sections are bright and peppy. This format is common in many of my... view details
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God Rest You Merry, Gentlemen God Rest You Merry, Gentlemen
English melody, E /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A challenging arrangement of the English Christmas tune. I use many jazz harmonies, but not jazz rhythms. There is an extensive introduction to create a contemplative atmosphere. I set three verses; the second... view details
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Good People All, This Christmas-Time Good People All, This Christmas-Time
Wexford carol /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

This is an arrangement of the Wexford carol, a unique Christmas tune which deserves to be better known. The lowered seventh and third scale degrees in the second half of the tune are remarkable and suggest... view details
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Guide Me, O Thou Great Jehovah Guide Me, O Thou Great Jehovah
Hughes, John /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for flute and piano of this stately tune. I set three verses; flute and piano share in presenting the melody. The third verse is the most florid, and melodic embellishing is enhanced; the... view details
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Hark! The Herald Angels Sing Hark! The Herald Angels Sing
Mendelssohn, Felix /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

One of my earliest Christmas arrangements follows a common pattern: slow, meditative middle section, with livelier outer sections. (I have a second version of the tune which is more difficult.) The first... view details
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Heavenly Sunlight Heavenly Sunlight
Cook, George /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for flute and piano of this classic gospel tune, a rare example of 9/8 meter. The first verse is in a slow blues style, followed by the chorus in a faster swing style. The subsequent verses are... view details
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Homage to O'Carolan, Op. 218 Homage to O'Carolan, Op. 218
O'Carolan, Turlough /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A rich and rhythmically adventurous setting of nine tunes by Irish harpist and singer Turlough O'Carolan (1670-1738). A gifted melodist, O'Carolan's tunes, numbering over 200, superficially resemble Irish... view details
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Ice for Sale Ice for Sale
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my humorous collection 'Folksongs of Antarctica.' Antarctica has a surplus of ice so you can buy it very cheaply. The energetic nature of my piece is periodically punctuated by a speech rhythm mimicking... view details
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It Came Upon a Midnight Clear It Came Upon a Midnight Clear
Willis, Richard /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A florid arrangement for flute and piano of this beloved Christmas tune. The flute doesn't always have the melody; for instance, in bar 12 the piano presents the melody while the flute makes a duet in a higher... view details
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It Came Upon a Midnight Clear It Came Upon a Midnight Clear
Willis, Richard /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

Another one of my early Christmas arrangements with an especially challenging left-hand part. One of my pet peeves is that so much piano music glorifies the right hand while the left hand languishes in... view details
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Lead On O King Eternal Lead On O King Eternal
Smart, Henry /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for flute and piano of this strong Victorian tune. After a majestic opening verse and a second more lyric one, I change the meter to a more expansive 6/4 for a more flowery treatment of the... view details
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Lo How a Rose E'er Blooming Lo How a Rose E'er Blooming
Praetorius, Michael /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A challenging arrangement of the Christmas tune by Renaissance composer Michael Praetorius. There are many chords from the jazz lexicon, without the characteristic jazz rhythms. Experienced players will find... view details
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Menthol, Op. 211 Menthol, Op. 211
WELLMAN, SAMUEL - SAMUEL WELLMAN

There is an intimate relationship between sound and the other senses; in this case, smell. The aroma of menthol, I wagered, might be hinted at by unresolved sevenths and triads with suspensions (for example,... view details
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Near the Cross Near the Cross
Doane, William /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for flute and piano of this devotional gospel tune. I set three verses; a fun key change happens at the refrain for the second verse. The music becomes more florid as it proceeds. The flute part... view details
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Neighbor's Leaves Neighbor's Leaves
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my humorous collection 'Folksongs of Antarctica.' The introductory descending passage represents a single leaf, lazily (and chromatically) fluttering down, and the first four notes are a recurring motive... view details
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Nothing to Do Nothing to Do
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my collection 'Six Little Nothings' which use simple, limited materials. Despite the title 'Nothing to Do,' the pianist actually has a lot to do! Major sevenths are prominent, as well as the ostinati... view details
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