Extracted from Kim Andre Arnesen's "Magnificat," this luscious setting opens with a hauntingly gorgeous soprano solo. Undulating choral rhythms and sublime a cappella moments make this a piece not to be
Saint Teresa of Avila's text ("Let nothing disturb you...") provided ample inspiration for the ever-creative Joan Szymko's sensitive setting. The cello is guitar-like in its accompaniment. A most colorful