Isaiah.7

In the complex 10 Inventions op. 73 from 1993, Kapustin experiments with polyphonic typesetting technique, extended tonality up to twelve-tone rows. For pianists who seek works between modernity and jazz

For piano. First printing. This volume contains 50 further short pieces. Preface in Ger., Fr. and Eng. Score, 108 p.

Edited by Simon Bischof. For 1 piano, 4 hands. With a foreword in Ger., Fr. and Eng. Originally composed for solo piano in 1964. This version for piano duet was prepared in 2019, and dedicated to Gabriela

Moszkowski's 20 small Etudes op. 91 belong to the standard works in the medium-heavy range. They address a wide range of advanced piano students due to their wide range of assignments. All etudes are

For piano. Authorized Edition. A collection of piano preludes with jazz influences, one in each major and minor key. Score, 108 p.

For piano. First printing. Volume 1 contains the first 12 preludes and fugues. Score, 112 p.

For piano. First printing. Volume 2 contains the last 12 preludes and fugues. Score, 103 p.

These charming 18th-century miniatures in progressive order make excellent articulation studies.

Kapustin composed the 3 Etudes Op. 67 in 1992. The first etude, entitled "Glissandi," is written in a swing jazz mood. In No. 2 "Ripetizione" the difficulty lies in the complexity of the rhythm. No.3

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist, arranger and composer. His piano sonatas are now published by Schott Music for the first time. Suitable for pianists

The Etudes op. 29 and op. 32 are among Bertini's best-known and most influential tutorial works. For aspiring pianists there is much to discover: Pieces with interesting harmonies in keys with up to four

With his 5 Etudes in Different Intervals op. 68, composed in 1992, Kapustin presents technically very demanding exercises based around different intervals. They have been recorded for CD by

This collection from 1998 contains 7 small fugues and canons for the left hand.