Isaiah.7

In the complex 10 Inventions op. 73 from 1993, Kapustin experiments with polyphonic typesetting technique, extended tonality up to twelve-tone rows. For pianists who seek works between modernity and jazz

Edited by Simon Bischof. For 1 piano, 4 hands. With a foreword in Ger., Fr. and Eng. Originally composed for solo piano in 1964. This version for piano duet was prepared in 2019, and dedicated to Gabriela

A collection of pieces composed over a 37 year period for a variety of occassions. Contents: 1. Wiegenlied (2010) -- II. HBEC I (2008) -- 3. HBEC II (2009) -- 4. HBEC III (2009) -- 5. 2 Stücke nach

Virtuoso jazz in classical form: Nikolai Kapustin (b. 1937) is an excellent jazz pianist, arranger and composer. His piano sonatas are now published by Schott Music for the first time. Suitable for pianists

For show with/without percussion. Printed from manuscript. Premiered in Frankfurt, October 1990. One movement work. Duration: ca. 10'. Score, 7 p. and part.

In the virtuosic Capriccio op. 71, composed in 1992, Kapustin returns to twelve-tone compositional techniques. Suitable for pianists looking for repertoire between modernity and jazz that sound like highly

In one movement. With a preface by Kline in German, English, and French. Performance notes. Penderecki originally composed this piece for cello in 1968. Kline premiered his version for double bass in

For crash cymbals, electric guitar, clarinet, viola, trombone & bass guitar. Commissioned by the Crash Ensemble. Premiered in Ireland, August 2017. Duration: ca. 4'. Score, 4 p. and parts.

For piano solo. First printing. Five movement work. First performed in 1951, and was rediscovered in 2009. Score, 14 p.

Written in 1987, this ballad by Kapustin radiates a solemn, dignified atmosphere. The main theme runs through three sections of variations and gradually makes its full musical effect before dying away in a

For French horn & string quartet. Co-commissioned by the Fontana Concert Society and the Chamber Music Society of Lincoln Center. Dedicated to David Jolley in memory of Neill Sanders. Score, 57 p.

For piano. First printing. One movement work. Includes a foreword by Christian Hoech in Ger., Fr. and Eng. Duration: ca. 2'. Score, 5 p.

Nikolai Kapustin's composition Elegy enchants through the beautiful and slightly nostalgic main theme which follows the short piano introduction. This is further developed in the interplay of the

Even in the unusual at first glance occupation, the spirit of the known and trend-setting orchestral work is preserved. Although the piece does not directly offer the opportunity for a solo performance of

For Shakuhachi, Koto and Sangen (three Japanese instruments). Printed from manuscript. One movement. Set of four scores, 9 p.

The piece Gassenhauer is part of the Carl Orff's Schulwerk. In this adaptation for piano, the melody of film and television, from variation to variation, becomes more powerful and