Collegiate Repertoire

Morton Gould's classic setting of this holiday favorite calls to mind the quiet sounds of a horse-drawn sleigh passing through newly fallen snow. Beginning softly, as if the sleigh is approaching the

This epic film was nominated for ten Academy Awards and won Best Original Score for the masterful music. Alfred Reed's setting for concert band is available here with a full score and thoroughly edited

Robust and stately, this march celebrates a historical figure of the Civil War who headed the famed Lightning Brigade. This 6/8 march has everything you expect of a grand regimental march, from the heroic

This rousing fanfare makes the perfect concert opener for the advanced concert band. Fiery brass fanfares and swirling woodwind lines transition to a melodic section that gradually builds to a dramatic

In 1946, George Walker was still doing graduate work at the Curtis Institute when he composed Lyric for Strings, which would prove over the coming decades to become one of the most performed and

This all-new setting for wind band alone consists of approximately eight of the original twelve minutes of the original suite for band with chorus. It is the third offering in an ongoing series which will

A fine transcription for concert band originally written for chorus, this is the fourth installment of Robert Russell Bennett's suites for concert band. It features Break Forth, O Beauteous Heavenly

This aria from the final act of Puccini's opera "Turandot" is one of the best-known tenor arias in all of opera. It achieved pop status after Luciano Pavarotti's 1972 recording of it was used as the theme

Originally written for piano, this is a lovely concert band setting of this classic piece. The melody is a moving bit of pure Americana, and the harmonies and scoring are lush and full. The perfect way to

This is an outstanding overture, little heard and played in the Western world, as with much Ukrainian music. The composer was embraced by Tchaikovsky, who particularly loved the opera.

A highly energetic and emotionally charged work for advanced concert bands. Biting rhythms, blazing woodwind technique, heavy textures, dissonances, and intense melodies create a very cinematic

Boston Pops conductor Arthur Fiedler praised the piece as among his favorites. Lyrics were added by Mitchell Parish, which would lead to recordings by the likes of Sarah Vaughan and Nat King Cole. With a

This first-ever setting for band alone includes What Child Is This?; Hark! The Herald Angels Sing; Bring a Torch, Jeanette, Isabella and concludes with a spectacular rendition of

The theme of these Variations is a folk song melody which is still occasionally heard in Russia. This edition is based on the full score published by the Russian state publishers as well as a number of