Seven highly developed movements with good contrasts. Requires serious study.
With an updated flute solo part edited by Sir James Galway, this new publication introduces Mouquet's whimsical work to a new generation of flutists. In three movements: I. Pan Et Les Bergers (Pan and the
Ideal for the intermediate flutist, Emil Titl's Serenade showcases the lyrical tone quality of the flute with long melodic phrases punctuated with delightful ornamentation. In a fluid
In addition to Giulio Briccialdi's important contributions to flute making, this virtuoso arrangement of the popular theme became one of his most enduring legacies. This exclusive edition of Carnival of
This collection of essential flute solo music was selected and edited by legendary flute artist and teacher Sir James Galway. This volume contains these works by Philippe Gaubert: Fantaisie;
This collection is the first-ever publication of 19th-20th Century exam pieces composed for the Paris Conservatory, meticulously compiled, arranged and edited over the course of many years by accomplished
Sir James Galway became acquainted with this short, but brilliant encore of Reichert's while visiting Albert K. Cooper at his home in south London. This new exclusive edition presents the work as performed
The songs in this collection were written and arranged for Sir James Galway as concert pieces by David Overton, his longtime arranger. They are all based to some extent on traditional Irish melodies. The
This collection of works for flute and piano is edited by one of the world's foremost authorities on the Classical flute repertoire, Sir James Galway. The edition include Galway's own performance notes and
Charles Le Thieree's Maritana Fantasy is a lyrical and dramatic work along the lines of the famous Fantaisies of Paul Taffanel and Francois Borne. It is based on themes from
Paul Wetzger's Am Waldesbach (By the Forest Brook), ideally for flute and orchestra or piano, was a staple of celebrated flutist Marcel Moyse. Since then, it has become a favorite in the flute
Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra, which later became English National Opera. His fondness for good tunes, with