John 9

Written in tribute to and inspired by the compositional style of Donald E. Allured, this original piece uses a three-note motive of D, E, and A (Allured’s initials). It includes four sections:

Exquisite writing and lovely harmonic shifts in this original composition make this title one your ringers will want to ring time and time again. Fluid writing throughout evokes the feeling of moving water.

This show-stopping new arrangement is filled with joyful energy. The opening section is driven by bass mallet work and a fun 7/8 meter while the middle section provides contrast with handchimes. For an

An inspiring new original piece whose melody ascends, crescendos, and builds in emotion. In A-B-A form, the contrasting B section beautifully combines bells and chimes along with quiet mallet work. When the

Based on the tune VIA DOLOROSA, this piece begins and ends quietly. It has big chordal middle section and is most appropriate during Lent or as a general selection.

This gentle work is a real winner for those looking for an undisputed challenge technically and musically! Two tunes are used, one by Spilman and the other by Kirkpatrick. Triplets, used throughout this 84

This wonderful and versatile arrangement is designed for beginning 2-5 octave bell or chime choirs, both small and large. The tune is heard three times, with the second occurrence featuring the melody in

This book is a composite of five articles by four bass bell ringers offering diverse opinions about bass bell ringing techniques and assignments. Topics include: Getting the Most from Your Bass Bells, Bass

The familiar hymn is presented three times - twice in E-flat major, and the last time in F major - in a majestic and powerful way as the words "then sings my soul" come to life. Well crafted and haunting in