John.18

This setting enhances the original chant, adding rich harmonies and polyphonic textures. The skillful voice leading makes this accessible to moderately experienced choirs. The supportive organ accompanies

Farrell sets the text of John 3:16 as a flowing choral anthem, suitable for use during Holy Week and funeral liturgies. Unique harmonies add interest to this well-known text. Lovely!

This short but effective piece, perfect for the Easter Vigil and the entire Easter season, is written for SATB choir, organ, two B-flat trumpets, and two trombones. The music builds with excitement

This setting of the famous passage from John 14 may be sung by ensembles large and small. Written for SATB choir, the composer has also included an optional organ accompaniment that, if played, can bring

A standout for the season of Lent, this a cappella piece offers a wonderful platform for choirs to explore some chromaticism and modal tonality. Foster the spiritual formation and conversation on the rich

Hillert's masterful arrangement of this haunting tune makes it easy to learn and gives each section of the choir a chance to shine. Well crafted and interesting throughout. Peaceful and meaningful.

This haunting setting based on Psalms 102 and 142 features themes of petition, prayer, and longing for God. The expressive dissonances and their resolutions reflect spiritual yearning. The simple optional

This anthem, a rich and sensitive setting of the "O" antiphons, is an ideal choice for Advent. Filled with rich textures and intimate choral harmonies, any amount of rehearsal time to fully achieve the

This stirring setting uses skillful part-writing and well-prepared dissonances to enhance the word painting of the traditional Latin text. Occasional chromatic harmonies, and brief touches on the lower

With a Latin and English text based on John 14:27 and inspired by Gregorian chant, this is a stunning a cappella motet by Howard Helvey. Reasonable in length, excellent vocal ranges and part-writing as

Regina Caeli is a piece about joy. The music illustrates the joy of the text, itself a meditation on the joy of the Virgin Mary at the Resurrection of her Son. And, giving her the title Queen of

Evocative and haunting, this English-language setting of the well-known traditional prayer was inspired by the composer’s Ignatian pilgrimage to Spain and Italy. Musically, the piece makes frequent

The interplay of voices and gradual layering of harmonies here provides a suitable piece for choirs looking for a brief but rewarding challenge. The unmetered chantlike melody creates a reflective and