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Arnold Schönberg: Sämtliche Schriften, Kritische Gesamtausgabe: II. Lehrwerke, 6. Fragment gebliebene Lehrwerke I, Der musikalische Gedanke. A cooperative production between the Internationalen
Helene Berg, widow of Alban, was tasked with promoting and preserving her husband's work, specifically for future generations of musicians. In 1968, she created the Alban Berg Foundation to continue these
Rosa Papier, famed opera singer and teacher, became a major advocate of composer Gustav Mahler, even successfully lobbying for his appointment to the Vienna Court Opera. Michalek presents a well-documented
Music does not stand alone or apart. How each of us reacts to music helps to define the piece. How an audience reacts may affect the conductor's or musician's performance. One piece is successful over time,
Pianist Paul Badura-Skoda and composer Frank Martin carried on a vivid exchange of letters from 1965 to 1974. In this period, Martin composed two major works for piano on behalf of Badura-Skoda: Second
Edited by Constanze Wimmer & Helmut Schmidinger. A wealth of topics for discussion cover Schoenberg's new 12-tone row, the 12 elements that make up the Variations, plus a dive into a deeper
Orchestra and concert promoters long for a public that is excited by music and curious about the modern repertoire. Today there are many ways to awaken this excitement. Musicians as well as music educators
His Notations are not only fascinating works. They are also sonic witnesses to their times. They originated as piano pieces in 1945 when Boulez was just 20 years old. Between thirty and fifty years later
It impresses through its formal construction as well as its expressive density. Inspiring aural spaces open up for audiences. (Universal Edition) Helping your audience understand what they are about to hear
Studien zur Wertungsforschung, Volume 59. The editors take a deep dive into the music of Elizabeth Maconchy, a star among British composers of the 20th century. From her early studies with Vaughan Williams,
In this issue, Christa Brüstle presents 14 lectures from the international conference in Graz on the subject of "Music and Landscape". Historical aspects are contrasted with contemporary
English version of Hausegger's considerations on valuations in musical practice as an interaction between audience, performers and composers, first published in 1885. "[B]eneath the surface of a scientific