Psalm 78

These charming short pieces are taken from two books of pieces 19th century Belgian composer Cesar Franck wrote for the harmonium (an instrument similar to an organ, where the sound is produced as air

A flexible arrangement of this beautiful movement from the Serenade for Winds "Gran Partita". The piece features 3 solo lines and an accompanying ensemble, as listed, (minimum 8 players). A score

Selected pieces from Tchaikovsky's Opus 39 for piano. Although the original collection is "for the Young" these are charming miniatures which make satisfying and enjoyable pieces for a fairly advanced

This chirpy dance is one of Grieg's most famous pieces and comes from the first Peer Gynt suite. It features chromatic harmony, and is mostly staccato - a great workout for all the clarinets.

Butterworth based The Banks of Green Willow on two folk song melodies that he noted in 1907 - "The Banks of Green Willow" and "Green Bushes". This lush textured Idyll is set here for advanced high

Butterworth based The Banks of Green Willow on two folk song melodies that he noted in 1907 - "The Banks of Green Willow" and "Green Bushes". This lush textured Idyll features some beautiful

This arrangement of the famous Welsh hymn (often heard at Rugby matches) borrows from the Male Voice choir tradition that is synonymous with the country. After a lyrical introduction the hymn is presented

This is a suite of 4 of the most popular and well-known sections from Carmen, arranged for clarinet quartet. All of the instruments get a fair go at playing the tunes, even the toreador bass clarinet. This

Concerto for Clarinet Choir is a vibrant showcase for an advanced group. This dramatic work is an excellent tool for teaching players with advancing ensemble and musicianship skills. Players and

Dating from 1892, Daisy Bell is unquestionably the most famous and most enduring of the Victorian ballads. It is presented here in a light-hearted arrangement for wind quartet, featuring a solo

Dating from 1892, Daisy Bell is unquestionably the most famous and most enduring of the Victorian ballads. It is presented here in a light-hearted arrangement for clarinet quartet, featuring a solo

Saint-Saëns' tone poem begins at midnight on Halloween. Death plays the fiddle to summon the dead from their graves; the music builds as more and more skeletons join in, eventually reaching a

The ever-popular carol, arranged here for Clarinet quartet in a variety of interesting and wacky styles. It begins in a traditional fashion with distant bells chiming, leading to a more upbeat 2nd verse.

An essential item for every ensemble! A tiny fanfare introduces the sing-along "Happy Birthday", leading into a quick rendition of "For He's A Jolly Good Fellow". Perfect for all those events where someone

This is perhaps Grieg's most famous composition, and comes from the first Peer Gynt Suite. It was originally a piece of incidental music to accompany the scene in Ibsen's play where Peer ventures

This is perhaps Grieg's most famous composition, and comes from the first Peer Gynt Suite. It was originally a piece of incidental music to accompany the scene in Ibsen's play where Peer ventures

An energetic and entertaining version of the classic Christmas tune full of festive cheer and sparkle; an ideal encore for a Christmas concert!

This beautifully fluid aria comes from Act 2 of Mozart's rather spooky opera Don Giovanni, and is sung by Donna Elvira, complaining that Don Giovanni has betrayed her, but also pitying him. The

This piece is one of Grieg's most famous works, and comes from the first Peer Gynt Suite. It is a song to the morning in 6/8, using notes from the pentatonic scale. This arrangement features broad,

This flamboyant Overture, written in 1844, is a medley of typically Viennese quasi-military melodies, gathering tempo as they gallop to a triumphant finale...just the thing for dashing cavalry officers and

This 1950's lullaby is probably best remembered in its chart topping 60's version by The Seekers. These arrangements roll along to a banjo-esque accompaniment, with the alto and bass instrument taking the

Composed in 1899 for solo piano, and then orchestrated by the composer in 1910, Ravel described this piece as “an evocation of a Pavane that a little princess might, in former times, have danced at