Willan wrote three settings of the classic Eucharistic text. This setting, one of his finest, is written in the key of g minor, evoking the world-famous Ave Verum of William Byrd. The rich harmony

Opening with a section of plainchant, this setting of the traditional Latin text most known in the Mozart or Byrd versions shimmers with modern a cappella harmonies. Cluster cadences and expressive vocal

This is a warm and contemplative a cappella setting of the medieval Latin hymn built around harmonic sequences and an appealing opening phrase. With no divisi of the four parts, it is a good piece for

The text is taken from the ending of The Prayer of St. Bonaventure. The composer sets this contemplative prayer with an a cappella setting, that includes rich harmonic movement. A meaningful

With sustained legato lines and subtly shifting harmonies, this anthem is both graceful and intriguing. Based on Ephesians, this is the perfect text for Reformation Sunday. This anthem could also be sung

Bryan Jeffery Leech's beloved communion hymn is exquisitely arranged for SATB a cappella voices. Largely homophonic, it offers a contrasting section in which the tenors take the melody, and later moments of

The words of Justin Gung express God's love and power in assuring tenderness. Michael Graham's musical setting maintains the gentleness while enhancing a profound beauty.  Soft expressions of praise

Utilizing chant melodies as cantus firmi, this versatile collection of three anthems is a beautiful addition to the music of the Lenten Season.

These five brief anthems by Peter Niedmann are intended for practical use during Communion. They set five well-known Communion texts, with two in Latin and three in English. Straightforward in texture and

Usually set to a jaunty, rhythmic tune, you will be quite pleased with Peter Niedmann's smoothly flowing original setting of this text. For unaccompanied SATB with occasional divisi. Different, expressive,

"Many will come, from north and south, and will eat in the kingdom of God." Here's a distinctive a cappella Communion setting that offers vocal styles from early American hymns.  Open harmonies,

Your choir is sure to have fun with this! The call-and-response texture adds a distinct African ambience to the Swahili text. The ranges of both the soloist and choir are easily manageable, making the

Hugh Benham brings the lofty English cathedral style into this lovely a cappella anthem. Fitting for both concert and worship, the vocal parts flow with dignity and beauty. Worshipful and sensitive, the