A torrent of energy and rhythmic enthusiasm, this modern motet is an outburst of praise to the Virgin Mary. Repetition of short phrases and sudden transitions to new musical ideas lead to the final measures

"Nothing ever goes away. There is no away." Adapted from Barry Commoner's Four Laws of Ecology, from The Closing Circle: Nature, Man, and Technology.

With text derived from appropriated voices from American public airwaves during the weeks following Hurricane Katrina.

This challenging work rewards performers and listeners with an exploration into the possibilities and reflections of God. Overlapping, varied choral texture and deliberate metrical moments of rhythmic

This is a rich, intricately written work influenced by both American jazz vocal performance and the contrapuntal writing of Monteverdi, creating what the composer calls a "modern American

Winner of the 2020 Genesis Prize from ACDA, this is a piece about facing the fear to breathe, and the courage to be together once more. With text and music knitted together in a soundscape of layers and

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In this innovative work, the choir paints the bucolic scene with vocal illustrations: buzzing like bees, singing quasi-overtones, and emulating wind sounds. Otherwise a cappella harmonies are supplemented

Long after troops and warplanes disappear, UXO (unexploded ordnance) remains hidden in the earth, leading to unnecessary casualties, especially among children, and food insecurity. With compelling lyrics by

She said, "It's like if they don't have room for something, and they don't know how to throw it out, and they put it in back in the garage." I said, "Is that how you feel?" She

The secular Latin text paints a picture of the rising sun and its related imagery of hope. Lovely and uplifting, the text is set with excellence in this sonorous a cappella work for advanced choirs.

Written as a reaction to Jena Osman's book "Corporate Relations," a collection of poems that follows the historical trajectory of corporate personhood in the United States, this piece in five movements

This exciting a cappella composition fuses musical styles that are influenced by South African, Hindu, and Eastern European traditions, including drones, call-and-response phrases, repeating compound

Robert Bode's poetry is wed to music that evokes a sense of nostalgia and childlike wonder as singers and audiences alike are taken on a journey back in time. A virtuosic piano part, thought-provoking