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Following on the heels of his wildly popular Sisi Ni Moja, Jacob Narverud returns with another show-stopping piece in a similar style. With influences from world music and an upbeat rhythmic style,

"Bright morning stars are rising...Day is breaking in my soul..." This Appalachian folksong, arranged for a cappella voices, has a contemplative, spiritual quality. Opening and closing with a trio, it's a

Carefully crafted vocal lines combine in lush harmony in this easy and effective introduction into modern a cappella singing. A beautiful text paired with an artistic setting gives the perfect opportunity

This jazzy twist on the celebratory tune from "The Wizard of Oz" is unique and fresh. Accessible for groups of any age, this arrangement features syncopated rhythms and much of the original harmony. Add the

Possessing crisp a cappella harmonies and cool syncopation in the vocal parts, this work is a solid choice for developing choirs in both concert and festival settings. An original bridge augments the

Two big shows. Two big songs. You Will Be Found from "Dear Evan Hansen" and The Story of Tonight from "Hamilton" are combined into an emotional mash-up created by Lin-Manuel

A delightful treble piece that poignantly suggests that as a tree grows, so do we. "Stretch your arms, and spread your leaves. What will you be?" A perfect piece to celebrate and commemorate the growth of

Rhythmic and dramatic, this exciting piece is the perfect way to open your holiday concert. The traditional Latin text is given a perfectly crafted modern setting with optional body percussion and driving

This very accessible piece pairs a beautifully written vocal and piano score with the Langston Hughes poem that warns us to "Hold fast to dreams... for when dreams go, life is a barren field frozen with

Rhythmic, driving, and intense, this arrangement of the traditional spiritual with themes of home, journey, and trial is based on the 1950s Mahalia Jackson version with an Afro-Cuban beat. Add string bass

Excerpted from Forrest's Christmas Joy, this creative arrangement of the beloved Christmas carol combines the music and text to bring a fresh feel to the Handel classic. Use of the optional brass

Steering a dramatic course away from the well-known lullaby in Australia, this original setting for treble choirs is lively and engaging. Using a jaunty sea-shanty style and new added text, choirs are

This gently rocking lullaby incorporates a charmingly beautiful melodic and harmonic idea with original text for two verses, then brings in the traditional text of Silent Night for verse three

Inspired by a close friend of the composer who never stopped singing throughout her cancer journey, this song is written in the bomba genre, an Afro-Puerto Rican music style and dance rooted in the island's

Create an authentic Celtic experience with your choir when you perform this arrangement of the 18th-century Irish folk song. A mixture of thoughtful rubato and energetic rhythms, an Irish-language chorus -

Originally arranged for SATB divisi voices in the well-known a cappella version, this classic carol was then revised for SATB voices with an added harp or piano accompaniment and then again in an accessible

"Sing to me! Something of sunlight and bloom..." An uplifting text by Ella Wheeler Wilcox is set to charming music in this wonderful piece with melodic interest in all parts and conservative ranges.

A celebratory, highly rhythmic composition. The Swahili title means "We are one" - meaning all human beings have much in common. The energetic djembe sets the tone, the piano adds its own rhythmic design,

A relatively recent carol, this piece works in both the church and school holiday settings. Delicate part writing and clear sections will make this a bright spot in your Christmas program. A curriculum

This fantastic stylized arrangement will appeal to choirs at many levels. Singable and skillfully arranged, this setting is fun, exciting, and captures the gentle joy of this spiritual. The piano

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety