You can't go wrong with this one! It's a famous tune by one of the most memorable figures in jazz, Thomas "Fats" Waller, and it's well within the capabilities of younger bands. It also includes an easy to
Here's Jerome Kern's fabulous standard in a swinging arrangement by Roger Holmes. With tasty accompaniment figures and a relaxed feel, your vocalist will have a blast singing this chart, and sound great
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Made famous by The Count Basie Orchestra, here is a great-sounding yet playable version of this standard for developing bands. It includes feature spots for every section and optional written or improvised
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This roaring and challenging Bill Holman chart begins with the vocal soloist solely accompanied by bass. Halfway through the first chorus drums enter, and then at the end of the chorus the whole band
This classic Frank Sinatra arrangement from the pen of Quincy Jones comes from the It Might as Well Be Swing album, recorded in 1964 with the Count Basie Orchestra. This song, along with Luck Be a Lady;
Dave Wolpe has done a masterful job with Gershwin's romantic favorite, setting it in two keys for both male and female vocal solo, including a lyrical trombone feature, even building it up to a big band
Here's a tasty chart on this Gershwin classic from the Great American Songbook! With a medium swing feel at about 120 bpm, it features optional flugelhorns to add to the rich textures, a written
Here's a great Dave Wolpe vocal chart! It features a samba treatment of this iconic Gershwin classic, and the vocal range is G below the staff to middle line B. With great wind parts, a
Rebounding in popularity after a recording by Michael Buble, this hit was originally from the Broadway musical "The Roar of the Greasepaint, The Smell of the Crowd." This bluesy arrangement requires no
This Bricusse and Newley Broadway classic has enjoyed immense popularity since the version recorded by Michael Buble. This chart begins with with an epic and swingin' full-ensemble
All jazz students should know this great tune! Dave's straight-ahead, swingin' vocal solo feature is written in two keys to accommodate both female and male voices. There are also brief solos for trombone