Dotzauer études have been part of the standard repertoire in cello lessons for generations. Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and

These 36 duos for two violins were designed for developing learners and include original manuscript photos and commentary. Taken from Louis Spohr's violin tutor, a collection of methods and exercises

This comprehensive volume contains well-known original works and transcriptions from the Baroque, Classical and Romantic periods by Bottesini, Capuzzi, Dragonetti, Eccles, Faure, Koussevitzky, Lulier,

To the modern listener, Fritz Kreisler evokes the elegance, romance, and old world charm of the Viennese ballroom, with sweeping cantabile melodies and bubbly arpeggiated passages that delight audiences.

Edmund Severn (1862–1942) was an American composer and violinist. Born in England, he studied in various cities including Berlin and composed works for unaccompanied violin, orchestra and string

This gentle, soothing lullaby in 6/8 was written for Ysaye's youngest son, Antoine.

Edited by Wolfgang Birtel. For violin & piano. A collection of 25 pieces by Romantic composers. Preface in Ger., Fr. and Eng. Score, 111 p. and part.

“Sooner or later the “Romantic Pieces” will pave their way through all the salons”: thus the periodical Dalibor predicted when the “Romantic Pieces” op. 75 were first

This is the first edition of the Scherzo per quartetto d'archi (P191). The musical contents suggest that this is a juvenile composition of the composer while student at the Bologna Conservatory. The central

Joseph Bodin de Boismortier was highly successful in his lifetime, but many of his more than 100 works are forgotten today. His duo sonatas for string or wind instruments, however, continue to enjoy great

This two-volume series of concert pieces for the intermediate to advanced cellist features arrangements and original pieces by the composers of the award-winning Cello Time series. These graded collections

Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists

Also known as Variations on a Theme of Corelli, this book is widely considered the first great method for violin. Aside from being invaluable to the development of technique, the variations, which