Let your baritone sax player show off with this chart! This swing tune with featured solo has a dark yet curious feeling to it that your musicians will have a great time playing. 

This composition was written by Billy Strayhorn in 1963 and was first performed in Sweden on March 9, 1964. While on tour in Europe during that year Ellington introduced several pieces as "Impressions

This is a touching treatment by Bob Florence of a song that works anytime of the year. An a cappella trombone soli states the melody, then the baritone sax is featured for most of the chart as the rhythm

Here's a straight-ahead, rockin' bari sax solo feature set at 156 bpm. The ensemble has a lot of exposure and the writing has a ton of style. The changes are a variation on the blues form with a little bit

As recorded on "The Bill Holman Band Live" CD, here's a witty, musical, fun-filled feature for baritone saxophone. There's lots of space for creative playing, and the wonderful contrapuntal writing that is

Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured

Add some funk to your holiday program with this soulful arrangement of the Christmas spiritual Go Tell It on the Mountain. Featuring the baritone sax player on partially written and improvised

Featuring your underexposed baritone saxophone player, Groanin' owes a lot to Bobby Timmons' Moanin' in its call-and-response melody. It's got energy with a driving, rocky groove. The band

Initially written for and recorded by his sextet, Gerry Mulligan's I Know, Don't Know How was expanded for his concert jazz band by Bob Brookmeyer for his 1961 album "Gerry Mulligan Presents a