Revelation.20

Written for snare drum, kick drum, and hi-hat, Amalgamation features stylistic elements of famed French percussionist Jacques Delcluse and the popular New York percussionist Joseph Tompkins.

This quintessential collection of snare drum studies focuses on developing technical facility in a variety of stylized musical genres. The 31 solos in this collection are contained in four main sections:

Jesse Sieff's Chopstakovich provides the performer with a great opportunity to display both technical prowess and musicality on the marching snare drum. It is designed to be played to a recording

As the title suggests, Deleclusiastics is a tribute to the famed French percussionist and composer, Jacques Delécluse and his indelible collection of snare drum works, Douze

A set of three progressive solos for concert snare: Nerfed is for the beginning percussionist; Buffed is for the percussionist who has learned some rudiments and is ready for more of a challenge; and Epic

Here is the second-place winner of the 2015 PAS Italy Composition Contest. In this challenging solo, several different contrasts in timbre are achieved by using the normal playing area as well as the rim

Five on 5 is a collection of five intermediate snare drum solos for the developing percussionist. Each solo features challenging rudimental and technical vocabulary as well as a fun accompaniment

This marching snare solo features the “herta” hybrid rudiment in many different aspects through dynamics, stickings, and even musical genres from orchestral styles to traditional rudimental

The Iron Horse incorporates a large vocabulary of rudimental drumming from pipe band traditions while maintaining a classic, traditional form. It features standard rudiments like the seven stroke

Dr. Andrea Venet wrote the first version of Kibo in 2005 while studying rudimental snare drumming with the famous Bob Becker. She later updated the piece after studying other great rudimental works

This rousing snare solo with audio accompaniment was inspired by the composer's young children, the toys they enjoy playing with, and the sounds these toys make. Some of these sounds were recorded and

When writing Kingdoms, Russell Wharton found inspiration in film and television, stating about his process: "I find myself envisioning a movie in my head, and simply attempting to write the

Drawing inspiration from the rudimental playing of Charley Wilcoxon and John S. Pratt, second line New Orleans drumming, and the genius of Steve Gadd, More Than Meets the Eye challenges the

Oculus is a snare drum and tape piece inspired by a tour to the Pantheon in Rome, Italy. The track encapsulates the listener inside of the Pantheon, while the performer simultaneously accentuates

A great choice for a semi-experienced performer looking to showcase his or her abilities with… you guessed it… the paradiddle. At 196 bpm, the piece will keep performer and audience alike on