This superb contemporary praise song is arranged here as a sensitive choral ballad. The words of Psalm 103 combine with the idea that we could never begin to count the reasons for which we come before God

This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices,

Here's a sparkling rendition of the traditional English carol that is sure to be a holiday concert highlight! The dazzling piano accompaniment frames the piece and the choral harmonies are bright and clear.

Brian Hanson gives this beloved hymntune new life through exquisite part-writing and accompaniment. Abide with Me is a stunning arrangement of EVENTIDE, complete with suspensions and soaring open

With a text based on Colossians 3:12-14 and original music by Joel Raney, this is a compelling anthem calling for the church to bind together in compassion, kindness, forgiveness and, "above all else,"

A triptych of pieces for harp (or piano) and SATB divsi chorus using texts by poet Christine Schenk. Her version of the "O Antiphons" provides a means of contemporary reflection on those ancient texts. The

In Sara Teasdale's poem After Love, the opening line "There is no magic any more" establishes the theme of vanishing love. This setting of the poignant text, in the dark key of D-flat major,

This flowing, melodic setting of the traditional Latin text is absolutely gorgeous! The marvelous part writing, luscious harmonies, and rich accompaniment are so gentle and graceful, the work is purely

This classic worship song is ideal for communion or any worship occasion reflecting on Jesus, the Lamb of God. The inclusion of a portion of How Great Thou Art expands and reinforces this anthem of

Donald McCullough includes an interesting and lush organ part to accompany an original melody set to a familiar Lenten text. The part-writing is accessible and the altos are featured as a

Introduce the instruments to your students, and gain a crowd-pleasing concert piece in the process! Upbeat, with melody lines, text and rhythmic patterns ideal for teaching diction and accuracy, this A-B-A

This delightful little medley of well-known table blessings is set to familiar classical melodies and hymns, making it a great opportunity for choristers to learn about music history. The vocal line stays

This delightful partnering of two traditional spirituals in a rhythmic, jazzy style is both easy to teach and fun for your singers. Both songs are introduced in unison and two-part harmony before partnering

"All that I am, and all that I will ever be, is in my hands today." A light rhythmic style conveys this affirmative message of self-empowerment, focusing on what really matters in life and connecting with

A joyful and rhythmic setting of the beloved 19th century text, this has nice vocal ranges and a clean, classic feel. The newly composed melody captures all of the buoyancy inherent in the lyrics. For

This creative combination of Franz Gruber's classic Silent Night with a piano accompaniment based on Bach's Suite No. 1 for Unaccompanied Cello creates a soothing selection for your holiday

Written for young and developing voices, this straightforward concert setting of a classic vocal canon is full of teaching moments in phrasing, vowel placement, breath support, and the use of solfege. The

With a text from Psalm 80:2, this a cappella piece is traditionally used on the third Sunday of Advent - the Gaudete or Rejoicing Sunday. The beginning quotes the "Alleluia" from the original chant, and

This joyous anthem sings the good news of the risen Lord, making it fitting throughout Eastertide. With piano accompaniment and optional trumpet, the singable refrain filled with "alleluias" is interspersed

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are

Using the beloved lyrics from John Newton's Amazing Grace and the refrain from Charles Wesley's And Can It Be, here is Amazing Grace and Love. Featuring a brand new melody, this

This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for developing singers. Both German and English lyrics are included in the score of