These introits offer a fresh take on the beloved hymn VENI, VENI EMMANUEL. The tune is the basis for the refrain, and the verses match the Roman Missal – one for each Sunday of Advent. While intended

For choir, cantor, assembly, and keyboard. The music was composed and the texts appointed for both the ordination of a bishop and the Chrism Mass. The verses of Psalm 89 and the Gospel Acclamation feature

Remaining true to the verbatim text but using a fresh rhythmic approach to the venerable melody VICTIMAE PASCHALI LAUDES, this contemporary spin on the Easter Sequence is sure to enliven your celebration of

In Spanish and English, this setting of an Easter Alleluia uses SATB voices, cantor, assembly, keyboard and guitar with C instrument, trumpet, cello and percussion. The instrumentation adds layers of joy to

This simple and solemn arrangement of The Roman Missal Entrance Antiphons sets a prayerful and jubilant tone for each of the Sundays of the Easter Season. Flexible performance options are included, from

This short, joyful Introit (or Call to Worship) is a setting of familiar phrases from the Book of Psalms. The work is built from five motives. Motives 1 and 5 are presented (and repeated) individually; the

Seven different verses from the lectionary are included in the octavo, each focusing on some aspect of the word of God. In its simplest form, it can be performed with assembly, cantor and keyboard. There

This dignified and practical setting for the veneration of the cross is complemented by SATB voices and chant. The antiphon is in Latin and Greek, while the verses are in English. The writing is

This collection of short a cappella pieces is based on seven familiar messages of Jesus: I Am the Way; Do Not Let Your Hearts Be Troubled; Feed My Lambs, Tend My Sheep; Let the Children Come to Me; A

Scored for SATB choir and accompaniment, this accessible setting pairs the Lamb of God text from the Ordinary of the Mass with the tune THE FIRST NOWELL, making it easy for the congregation to sing with the

A setting of an Antiphon from Psalm 57:8-12 with verses from Psalm 100 using the Grail translation.

This recently rediscovered short set of preces and responses was composed while Trendell was an organ scholar at Exeter College, Oxford, in 1985. Unaccompanied and with English texts throughout, these

Written for SAB voices, a priest, and the assembly, this collection of music for the Rite of Acceptance and Initiation Acclamations is based on the hymn tune ST. THOMAS. This edition includes: Receive

This is one of four Marian antiphons traditionally said or sung after night prayer and throughout Eastertide. The original 12th-century chant proceeds smoothly and musically, set in modern metered notation

This musical setting will provide comfort to those who are mourning the loss of a loved one. The officially approved verbatim text from the Order of Christian Funerals is set simply with choir on the verses