Collegiate Repertoire

This arrangement of the beloved civil rights anthem infuses the traditional melody with close harmonies, subtle elements of jazz, and effective movement. It is a powerful musical portrayal of people walking

Neither overwhelmingly complex nor tediously simplistic, this a cappella hymn setting is characterized by lush harmonies and plenty of rubato. Perfect for worship, collegiate ensembles, or any choir looking

Crafted for the BYU combined choirs, this sturdy arrangement of the traditional hymn showcases the strength and majesty of the text and melody, with a standard harmonization for choir and organ. Available

Rich melodic lines and fragments form the basis for a delicious counterpoint in this traditional folk hymn arrangement. The harmonies are at once modern and tasteful, with elements of tone-painting and

Your choir will love singing this combination of the classic hymns Near the Cross and Blessed Assurance. Beautiful divisi harmonies soar above the flowing piano accompaniment which moves

Ideal for advanced choirs, your singers will enjoy the challenge of new harmonies while singing this very familiar tune. A wonderful choice for dedication services, Earth Day, or any general service or

Commonly used as symbolism in Christian texts, river imagery inspired this pairing of It is Well (When Peace Like a River) and Shall We Gather at the River. Together they combine to

Jazz harmonies and a vocal solo give new interest and life to the well-loved Robert Lowry folk hymn. Smooth voice leading means your choir can focus on nuances of text and phrasing for meaningful

Ralph Carmichael's hymn favorite receives a revelatory a appella choral treatment, including a soulful solo accompanied by choir. Luscious chromatic harmonies shimmer in the tight choral texture, unfolding

This early American hymn, born in a time of crisis, is still relevant in our times. Opening with a flowing artistic piano accompaniment which continues throughout, optional solo lines build and open up into

This traditional hymn is one of the signature songs of Brigham Young University's a cappella group BYU Vocal Point. Adapted to be a joint performance for mixed chorus with symphony orchestra, it features a

A strong, resolute setting of the familiar civil rights "marching song" vividly calls to mind the images which add depth of meaning and emotion to the notes sung. From the distant beginning to the powerful

Kenneth Dake has imagined a glorious a cappella setting of the traditional hymn in a slow 6/8 meter. The vocal lines require eight-part divisi, but the gorgeous colors are worth the effort. 

The river flows steady and calm in this beautiful arrangement of the traditional spiritual edited by Dan Forrest. It is impossible to ignore the underlying intensity which rises and falls as peace, love and

This traditional hymn is one of the most popular signature songs of Brigham Young University's a cappella group BYU Vocal Point. Presented here in the exact tenor-bass arrangement that has garnered more

This is an arrangement of the 19th-century hymn by Philip Bliss, with words written by Horatio Spafford following several personal tragedies. Despite having lost his first son to scarlet fever, most of his

The well-known text is paired with an original melody in this lovely new setting. An elegant piano accompaniment adds to the rhapsodic nature of the piece in this fresh and interesting treatment. The work

This beautiful setting of George Matheson's familiar hymn text functions perfectly in both sacred or secular settings. Here, O Love is given a fresh new melody with equally refreshing and gorgeous

A collection of three early American folk hymns: Hallelujah, a six-part a cappella setting of the Sacred Harp tune; Angel Band, an eight-part a cappella setting of the beloved William

This a cappella setting is a modified strophic design with the alternating tonic and mediant chords, first seen and heard in the initial two measures, acting as a recurring idea or motive throughout the

This text from an old Southern folk hymn is given new original music in this anthem setting for SATB, cello, and piano. The voice parts are accessible. The tenors and basses do sing a verse alone, but in

This well-crafted arrangement of the beloved old favorite from American hymnody is appropriate for any choral ensemble. With soaring obligato lines and shimmering harmonies, this work is certain to paint a

Mack Wilberg's a cappella setting of a tune from The Sacred Harp is strong and march-like. Highlights include accented rhythms, percussive vocal lines, tonal shifts, and some divisi, contributing

A classic hymn with a tender text from beloved hymn writer Fanny Crosby receives an expanded setting that is both accessible and interesting. A cappella, with some divisi, the piece migrates through several