Exodus 17

Salute the unsung hero of the jazz ensemble, the piano player, with this accessible piano feature! 88 Ave. B is an accessible Basie-style swinger that features the piano throughout

Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble

Perhaps no popular Christmas standard has the instant recognition than that of Frank Loesser's Baby, It's Cold Outside! Often performed as a vocal duet for a girl and guy, this versatile

Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured

Originally recorded by the Woody Herman Orchestra, featuring Stan Getz, on their album Live at the Concord Jazz Festival, The Dolphin is written in a beautiful bossa nova setting and features tenor

Andy Farber is a master at composing beautiful ballads, and this one is pure jazz! Fully featuring an alto sax soloist with outstanding melodic content, there is a slow, nostalgic feel here with just a hint

For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965

Penned by Jimmy McHugh and Dorothy Fields and first introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady

Now for the first time in print, this publication is based on Nelson Riddle's original set of parts used by Frank Sinatra for the 1956 session with Quincy Jones' modifications for the Live at the the Sands

Kris Berg has composed a beautiful, sensitive and mature solo feature for B-flat, E-flat instruments or trombone. The ensemble is equally important in this setting at around 74 bpm that transitions

Here's a very clever arrangement of this holiday gem! It's a drum set on brushes feature at around 172 bpm in the style of Hefti's Cute with a written or ad lib trumpet 2 solo. There's

Although the first hit recording of this enduring standard was by the Glenn Miller Orchestra in 1940, Hoagy Carmichael's The Nearness of You has remained popular through the ages with recordings by

With a haunting melody, this minor-key ballad is the perfect feature for promising alto saxophone or trumpet/flugelhorn soloists. The featured solo part is fully written, although some embellishment by the

While this arrangement is written to feature a vocalist, it also has great instrumental appeal. The style is Latin/mambo groove, the tempo is about 136 bpm, the ensemble accompaniment is creative and

This moving, lyrical ballad features solo flugelhorn or trumpet throughout with written and improvised sections, a double-time bossa in the midsection, and a strong, dramatic finish. The saxophone section

Here is a wonderful alto saxophone ballad feature by master composer Patrick Williams. Optional woodwind doubles are for alto flute and clarinet and there are optional parts for two horns in

Paying tribute to the great Thad Jones, this expressive ballad with rich harmonies and flowing lines provides a perfect showcase for flugelhorn or trumpet. The beautiful melody is supported by a lush

Arranged for vocal soloist with jazz ensemble, you're sure to fill the dance floor with this funk classic by Earth, Wind & Fire! The vocal key is C, and an optional tenor sax solo part is included as a

Victor Lopez takes this iconic jazz ballad and turns it into a beautiful setting for solo vocalist and jazz ensemble. In a medium swing, ballad style at around 88 bpm, this chart features easy ranges,

This Richard Rodgers standard is a vocal solo feature, but the ensemble and the vocalist are really featured. You will enjoy the give and take between the ensemble and the vocalist. In a medium swing style,

Tomorrow Is Always a Good Day is a sensational ballad feature for solo trombone or tenor saxophone. This lovely composition begins in a minor key, keeps building to a modulation to major, then

This chart kicks! It's a shuffle at around 166 bpm and is a feature for two tenor saxes. This is not a duel, but a vehicle to showcase both tenor players. Sample tenor solos are provided, the

Dave Wolpe has created a highly effective medium swinger for vocalist and jazz band on this great standard, arranged in both high (E-flat, Male) and low (B-flat, Female) keys for flexibility. If a