This superb contemporary praise song is arranged here as a sensitive choral ballad. The words of Psalm 103 combine with the idea that we could never begin to count the reasons for which we come before God
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Here's a wonderful take on the group Toto's classic rock tune from the '80s. It's solidly scored throughout and sounds amazingly like the original while remaining accessible for developing jazz bands.
Andre Thomas is a master at the spiritual form, and his skill is clearly evident in this gem! Easy to sing tonally, but with divisi voices, the layers of sound and the constant rhythmic patterns add
This setting of the contemporary classic captures the tender and simple melodic interpretation found in the artist's own rendition. It spans the spectrum dynamically while underscoring the overall theme
This beautifully written anthem for Christmas is based on Gelobet seist du, Jesu Christ from a chorale written by Martin Luther and first published in 1524. Truly
Reminiscent of the classic version by Count Basie, here is a terrific medium swing setting of this familiar standard for vocal solo with jazz ensemble. In the event a vocalist is not available, an optional
This splendid anthem from Michael W. Smith's that has all the makings of a holiday classic, capturing the deep emotion felt on the journey to Bethlehem. Smartly arranged for choir, the expressive melody and
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A real jazz classic, this chart kicks! The features include a medium swing style, a written or improvised solo for tenor sax, meaningful ensemble passages, exceptional soli lines, superb phrases, and a
Sometimes the mere thought of Christ's immeasurable love can wash over the believer in an overwhelming wave. This choral anthem is reserved for those moments in worship. Using Charles Wesley's
Here's a Wes Montgomery bossa/rock tune that grooves along at around 145 bpm with the melody line played by tenor 1 and trumpet 2. With very playable ensemble sections and hits,
Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble
A bombastic work for young band inspired by video game music. It alternates between minor and Phrygian modes to create a dark and sinister soundscape. The use of aggressive articulations and brake
This Mike Collins-Dowden swing-style original features a hip melody, interesting call-and-response passages between the saxes and brass, nice dynamic contrasts, a written or improv solo for trumpet, and
Perhaps no popular Christmas standard has the instant recognition than that of Frank Loesser's Baby, It's Cold Outside! Often performed as a vocal duet for a girl and guy, this versatile
From Trombone Shorty's acclaimed CD Backatown, here is the hot title cut arranged for big band in a funky medium tempo. Combining the elements of New Orleans second line and contemporary rock styles,
This arrangement of a Scottish lullaby features a beautiful melodic line and wonderful harmonic moments. The text is in English with Gaelic subtext, and an accessible pronunciation guide is included.
This masterfully crafted essay on the timeless Irish hymn balances melody, the singers, and the accompanist. Liquid vocals appear over understated piano lines, followed by judicious a cappella phrases
Your congregation will love this modern praise anthem that revisits a classic chorus and presents it for a new generation. This song of hope and assurance reminds us that God is always with us. With its
Jingle Bells meets Big Noise from Winnetka, complete with minor key and the drummer laying down a Krupa groove! It swings hard from top to bottom, has no solos, and is very clever.
Even your youngest singers can enjoy Carol of the Bells with this sparkling arrangement for treble, tenor-bass or mixed voices with piano accompaniment. The unison version includes optional
This anthem has all you've come to expect from Mark Miller: resonant lyrics combined with a soulful melody. Mixed choirs of all ages and sizes will enjoy singing this Gospel ballad. The bridge brings the
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Alan Baylock's chart on this Eddie Harris jazz classic is exciting from the very first note. This updated and contemporary version features a straight-eighth boogaloo groove at about
For piano. Reprint of earlier editions. This compilation of favorite finger exercises includes The School of Velocity, Op. 299; The Art of Finger Dexterity, Op. 740; and 30 New Studies in
Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured
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