"Can you hear my cries? I am calling out to you." The global community of children speaks together in this dramatic call for a better future that uses worldbeat sounds, unified chordal harmonies, and

A very impressive opener or contest/festival piece! Bright, fanfare-like motives, incisive accompaniment, and text in Latin and English work together to make this work a standout for young and developing

The famous text of Charles A. Tindley's hymn The Storm Is Passing Over forms the lyric framework for this modern concert gospel piece. This powerful setting is marked by sturdy gospel harmonies, a

"...I am not there; I do not sleep.  I am the thousand winds that blow.  I am the diamond glints on snow..."  Profound in its simplicity, this ever-popular text speaks to everyone, and is

"Thou gracious God, whose mercy lends the light of home, the smile of friends, our gathered flock thine arms enfold as in the peaceful days of old..." Based on a poem by Oliver Wendell Holmes, this is a

"In time of silver rain, the earth puts forth new life again..." The subtle imagery of an awakening spring is beautifully portrayed in this exquisite setting of the Langston Hughes text. Now available for

Bright mixed meter, syncopation, handclaps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in Hebrew and English: "Let

Full of life and energy, this work in Spanish and English expresses the plea of Mexican children to the rest of the world to listen to their cry for help. The percussion and bass parts (included in the

"River, run me to the ocean.  River, take me to the sea. River, show me to a distant shore. River, run!  Set my spirit free..." Fluid vocal lines glide effortlessly over a shimmering piano

Perfectly suited for developing voices, and featuring lyrics by Charles Anthony Silvestri, this charming piece explores the unique qualities of each of the four seasons. A supportive piano part and an

Introduce your choir to a cappella madrigal singing with this wonderful Thomas Morley classic designed especially for young singers by Russell Robinson. This edition sounds full and captures all the spirit

Here are two contrasting festival pieces that work equally well individually or as a set. Jubilate Deo features vocal pyramids in a strong, fanfare opening, followed by a lighter, syncopated

"You are the earth, you are my sky..." Two beautiful poems, by Sara Teasdale and Zoe Akins, are lovingly interwoven for the text of this lyrical, expressive setting. Rubato phrases ebb and flow over a