Isaiah.61

Whip-poor-will! Spangled with avian antics and musical treasures, this entertaining toe-tapper with lots of independent lines, syncopation, grace notes, sixteenth-note runs, and bird imitations

Here is a collection of traditional Christmas and Hanukkah tunes arranged for four low brass with an optional drum part. Formatted as 5" x 7" march-sized books. Parts are available separately or as a

Featuring two B-flat and two bass clarinets, this is not just a normal transcription assigning all pre-existing notes to several instruments. This arrangement is a work all of its own that showcases the

Nineteenth-Century Austrian composer Franz Schubert (1797-1828) is renowned as one of the great masters of German Lieder, having composed over 600 works in the genre. His Die Forelle ("The Trout"),

Fanfare and Frolic is a mixture of the serious and the not-so-serious.... The fanfare is stately in an A-B-A format with the middle section in contrast, not unlike the trio of a march. The 'Frolic'

For flute trio or quartet - 2 bass flutes (or optional flutes), flute 1 & flute 2 / This has a Brasilian feel to it and allows for some improvisation during one section of the piece. Recorded by Jeff

For Two Oboes, English Horn, and Bassoon. By Daniel Baldwin. Composer's Notes: Legend of the Dragonfly is the first of a multi-piece commission from legendary oboist John Dee. I approached John in

From across the misty moor arises a mournful flute solo, a blur of supporting tones, a pause... and a jig! This lively 6/8 folk-like tune of shared flying flute lines, tuneful countermelodies, and drones

This lyrical showcase of perpetual motion is a colorful and energetic addition to the bassoon quartet repertoire. Full of rhythmic interest and dramatic harmonic interplay, this piece truly is a maverick

Here's another catchy Rick Hirsch original for saxophone quartet. It's based on his popular big band chart Mambo Over The Mountain, and has optional ad-lib/notated solos in all parts. Scored for

Proem and Scamper was originally composed for the Charlottesville Horn Club, then transcribed for saxophones. The short 17-measure proem (a fourteenth century term for preface or prelude) is

Nineteenth-Century Czech composer Antonin Dvorak (1841-1904) spent the years 1892-1895 as the director of the National Conservatory in New York City. It was during these years that Dvorak composed his

Run was commissioned by the Renegade Bassoon Quartet, and was completed in January 2017. As I received the invitation for this collaboration, I immediately knew that I wanted to give the