Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

Only Mark Hayes could write such an enthralling arrangement of this timeless Irish air. Scored for voices, piano, flute, and optional percussion, it features a shimmering accompaniment and a flute obbligato

A long-time favorite on the festival circuit, this dynamic, exciting, joyous selection surpasses the ordinary! Syncopated rhythms and changing meters, combined with a sizzling piano part, make this a

Simply accompanied by either piano or guitar, this enduring Shaw–Parker arrangement of Stephen Foster's tender song of love and loss is a choral staple for tenor-bass choirs.

This stunning piece is based on a simple poem by Robert Richardson, inscribed on the headstone of the daughter of Samuel Clemens (Mark Twain), who died in her youth.  Appropriate for any memorial

Here is a singable a cappella work for middle or high school treble or male choirs that features very effective layered vocal writing and hand claps. Set at a majestic tempo, with text mostly in English, it

This work is pure magic! Short rhythmic phrases repeating and building on top of one another, contrasting sections, a dynamic and rewarding conclusion. The traditional Latin text makes it appropriate for

Brimming with dynamic contrasts, rhythmic nuances and textual percussiveness, this spirital is an absolute thrill to sing and hear. "When I go to walk that golden street, nothin' gonna stumble, stumble my

Bright syncopations, mixed meter, and a contrasting slower middle section distinguish this original festival work as one of the best available. With limited vocal ranges and varied textures, it will be a